Gary Fox

I Don't Believe

Wanted to make this one drive. It's meant to be listened to as loud as possible.

Gonna Run Away With It

I am Ironman.

With this one, I purposely kept it stripped down. I could have lavished it up, but I wanted the tone to match the stark clarity of realization. Sometimes this one sounds thin... (more)

Love Sweet Love

Bouncy, with ear candy. Wanted to do something different with this one, keep it from being too predictable. I think I succeeded. I also happen to really like my "squawk, squawk" gtr stabs in the verses.

Dearly Departed

This is a track of serendipity (is that how you spell that?) I was hours from deadline, lots of mixing left to do, and this track was FAR from done. I love the congas in this one. In general, this is a... (more)

Major Key

Stripped down, I almost did this one as a live, one take vox and gtr "on-mike" bit. I did the song, kind of liked, but decided to do a tracked version, just to see what it would sound like. Ended up liking it more.

Consequence

Eerie, mournful, beautiful but so, so lonely.

These are the words of a friend listening to it. This one is meant to be turned up loud, but listened to alone and in the dark. This track is actually... (more)

Ville De Small

This song sounds best if you can drive through Hollywood Hills, or anywhere in Southern CA. Funny how I happen to live in NH, eh? Another song that came from a simple gtr line (the intro).

Whatever Will Be Will Be

A chance gtr line turns into a big production. This is a song I wrote for myself, meaning it's probably too long, it probably has too many parts and it probably has too much going on in it. YET... (more)

Keep Your Light

The closing track of Dearly Departed. I will come back, but I don't know where or when. Open, ethereal, a departure in terms of tone, and for me.