And you too Paul. I hope 2010 is a success for all you musicians here on AloneTone, which I must admit is one of the friendliest musician resources I've come across....
Thank you for the feedback and keep on a-pickin' and pluckin'
Adam
@KL Thanks very much for the feedback - glad you like it
@NA In my case, its the consequence of having no social life ;-) - find your niche and style and develop it...let music flow from your soul!
you and JS Tolar should get together and write some songs. If I could just speed up time to where I can play like you two...then add to some of my songs...ahh paradise found at last. Would definitely fill in the empty spots. Sweet break downs and progressions.
Thank you very much SB... I understand where you're coming from, music is such a personal thing on so many levels.
Thanks for making an old geezer smile on a cold winters night!
From the root D, as the picked notes are D, F, G and B....
Sometimes interesting stuff occurs when you just plug in some numbers. For example, I sometimes play around with what I call the Rush Scale where the scale goes
Tone - Semi - Semi - Tone - Semi - Semi - Tone
So you get from C
C - D - D# - E - F# - G - Ab - Bb
Why Rush - well (Tone - semi - semi - tone = 2112) ;-)
Well for a start I cocked up in the description ;-) the clean part is basically
0 5 3 0 0 0
Picked on the A,D,G,B strings. Simple motif, and one thats been bugging me for a while. So its basically on D,F,G,B.... I sometimes tend to think mathematically about riffs and occasionally something unusual comes out of it...
Whats that root,minor third, fourth, sixth? My theory knowledge isn't awesome, I'm ashamed to say ;-)
Thats the plan - once I restring the twelve string. I cheated here and doubled it over the octaves ;-) Plus I've hurt a finger at the nail and the twelve string will murder my hands right now ;-)
Comments on adamrykala's stuff
Thanks - Its an experiment with one effect that I found on my Vetta I'd never used before...;-)
nice one cool sounds mate well done.
Much appreciated - thanks Kirk
Nice experiment man!
Thanks mate
Great stuff! Joe Satriani meets Pink Floyd meets liquid tension experiment!
mmmmm thats more M words then me so you win ;-) Thanks ;-)
Mesmerizing mellow music moving majestically along the matrix of atoms that make up the air...ran out of m words that would work :)
Rocks fer sure. Nice guitar work.
Thanks very much for your kind comments!
another great track and what a sound.
And you too Paul. I hope 2010 is a success for all you musicians here on AloneTone, which I must admit is one of the friendliest musician resources I've come across.... Thank you for the feedback and keep on a-pickin' and pluckin' Adam
@KL Thanks very much for the feedback - glad you like it @NA In my case, its the consequence of having no social life ;-) - find your niche and style and develop it...let music flow from your soul!
you and JS Tolar should get together and write some songs. If I could just speed up time to where I can play like you two...then add to some of my songs...ahh paradise found at last. Would definitely fill in the empty spots. Sweet break downs and progressions.
YES! That kicks some ass around!
Thanks J - much appreciated
Another goodie mate.
Well I enjoyed that mate great track.
Thank you very much SB... I understand where you're coming from, music is such a personal thing on so many levels. Thanks for making an old geezer smile on a cold winters night!
Well, I would never have expected to enjoy this - not the kind of thing I would normally listen to at all - but I did. Great stuff!
Comments made by adamrykala
Much appreciated
Thanks
Thanks for the feedback :-) as you can tell I'm still learning this digital recording lark :-) will have a look at this Much appreciated Adam
Thanks ;-)
Possibly - I shall have to look ;-)
From the root D, as the picked notes are D, F, G and B.... Sometimes interesting stuff occurs when you just plug in some numbers. For example, I sometimes play around with what I call the Rush Scale where the scale goes Tone - Semi - Semi - Tone - Semi - Semi - Tone So you get from C C - D - D# - E - F# - G - Ab - Bb Why Rush - well (Tone - semi - semi - tone = 2112) ;-)
Well for a start I cocked up in the description ;-) the clean part is basically 0 5 3 0 0 0 Picked on the A,D,G,B strings. Simple motif, and one thats been bugging me for a while. So its basically on D,F,G,B.... I sometimes tend to think mathematically about riffs and occasionally something unusual comes out of it... Whats that root,minor third, fourth, sixth? My theory knowledge isn't awesome, I'm ashamed to say ;-)
Yeah, I was in an odd mood. I'm trying to back to the 'less is more' mentality but its hard going...!
Thanks!!
Thanks ;-) Much appreciated
Thanks guys.....!
Thanks man!
Thank you SMW for your comments - much appreciated!
Many thanks for the kind words...
Thank you very much... much appreciated
Thanks - I was bored with a capo in hand and well, you know the rest ;-)
Thanks! much appreciated
Thats the plan - once I restring the twelve string. I cheated here and doubled it over the octaves ;-) Plus I've hurt a finger at the nail and the twelve string will murder my hands right now ;-)
Thanks - thats the feel I was haunting for - its only a rough demo ;-)
I was quite frustrated ;-)