AMUC's listening history

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It's kind of funny how you can intend to create electronica, and then end up blindly wandering into a different sub-genre. The end result almost sounds like it wanted to be stoner rock. For more on the song title, look up "Ganzfeld Effect…
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This initially had started out as my attempt to do a basic electronica track - I sort of failed miserably at this. (Like most music I program, it ultimately begins to sound like 'not electronica' by the end, for better or worse.) The re-recording…
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Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf.. Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
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If "Jenny Blue" is the closer, and "Shrinking Violet" is the outro, then this is the postlude to the outro. The only track I played in real-time on from beginning to end. (No idea how I managed to pull that off..)
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"Jenny Blue" was originally supposed to be the album closer, but this track seemed like a nice outro. (Definitely Tangerine Dream worship on my part.)
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The last track from my RPM Challenge album, "The Loudest Silence". The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
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Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired. If you don't like the current melody, wait five seconds. Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
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This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets]. A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
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Another sound experiment that I can't really call a 'song'. I am building out a microtonal sampling system. I basically told it to continually create seventh chords using differing variants of a third, fifth, and seventh each time. All this…
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Another sound experiment that I can't really call a 'song'. I am building out a microtonal sampling system. I basically told it to continually create seventh chords using differing variants of a third, fifth, and seventh each time. All this…
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