This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets]. A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.

Another sound experiment that I can't really call a 'song'. I am building out a microtonal sampling system. I basically told it to continually create seventh chords using differing variants of a third, fifth, and seventh each time. All this…

Another sound experiment that I can't really call a 'song'. I am building out a microtonal sampling system. I basically told it to continually create seventh chords using differing variants of a third, fifth, and seventh each time. All this…

Another sound experiment that I can't really call a 'song'. I am building out a microtonal sampling system. I basically told it to continually create seventh chords using differing variants of a third, fifth, and seventh each time. All this…

Another sound experiment that I can't really call a 'song'. I am building out a microtonal sampling system. I basically told it to continually create seventh chords using differing variants of a third, fifth, and seventh each time. All this…

Just a prototype. I wouldn't even call it a finished song. I was experimenting with creating a composition with thirds and sevenths that roam about between minor and major, exploring all the microtonal weirdness that exists in between.

Another sound experiment that I can't really call a 'song'. I am building out a microtonal sampling system. I basically told it to continually create seventh chords using differing variants of a third, fifth, and seventh each time. All this…

The most challenging track to record during the RPM Challenge this year. I like how a lot of it turned out, but there were so many clashing pieces, that I was pulling my hair out trying to assemble it.

made with deflemask