every moment each day searching for something someone to feel know care every face each friend rejection and its too much too much too much to bear it's been a long long time coming it's a long long way home every moment each inch of time…

Experimenting with asynchronous, layered picking. I thought it would sound really cool. Guess what? It doesn't! ... Well, all of the mistakes aside ... it's growing on me.

It's kind of funny how you can intend to create electronica, and then end up blindly wandering into a different sub-genre. The end result almost sounds like it wanted to be stoner rock. For more on the song title, look up "Ganzfeld Effect…

This initially had started out as my attempt to do a basic electronica track - I sort of failed miserably at this. (Like most music I program, it ultimately begins to sound like 'not electronica' by the end, for better or worse.) The re-recording…

Two Freesound sample used here that's worth noting: * 97189 epanody_samplescene2 * 18450_zippi1_sound_singing3

From RPM 2012 album, "The Kitchen Sink" First track - title comes from an unintended vocal sample. 2/26/12 MPT: I already uploaded a fresh copy. I wanted it to sound like a vocal ensemble in a dumpster, but I might have initially gone overkill…

From RPM 2012 album, "The Kitchen Sink" First track - title comes from an unintended vocal sample. 2/26/12 MPT: I already uploaded a fresh copy. I wanted it to sound like a vocal ensemble in a dumpster, but I might have initially gone overkill…

Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track. I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…

Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track. I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…

If "Jenny Blue" is the closer, and "Shrinking Violet" is the outro, then this is the postlude to the outro. The only track I played in real-time on from beginning to end. (No idea how I managed to pull that off..)