Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track. I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…

Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired. If you don't like the current melody, wait five seconds. Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…

The last track from my RPM Challenge album, "The Loudest Silence". The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…

This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound). That is me playing the harmonica, though. (No, really!) If the song makes…

August 24 hour challenge.. I couldn't pass up on the name. =)

August 24 hour challenge.. Last track written, but I'm happy with how it came out.

August 24 hour challenge.. Audio footage from a local flood -- listen midway through, and the reason for the name becomes clear.

August 24 hour challenge.. Started out as a parody track, but gradually got more and more demented..

August 24 hour challenge.. Irving Finkelstein wanted to rap, but the 1 BPM tempo was just too much for him.

August 24 hour challenge.. Full name is Ray Bradbury's Cursed Bionic Orchestra, but it wouldn't fit. Lone improvised track (musically) during the session. Listen with headphones for best results.

August 24 hour challenge.. It was really humid when I wrote this one.

Warning - uses Brainwave Generator for samples - so if you feel a little groggy listening to it, that's why. Don't play while operating heavy machinery.

August 24 hour challenge.. Pretty cohesive tail for a 57 second track. [Compare to "Firecracker" recorded for RPM 2010. This was the initial kernel that led to that track.]

August 24 hour challenge.. This was the first track written in the early morning hours.

A quick transitional piece - sort of a hybrid of ambient drone and louder rock.

There's some kind of Tool/Pain Of Salvation vibe to this one, albeit murked up by a lot of electronic ambience.

Sorry - I forgot to take my medication when I came up with this one. It began as an exercise in strange sound effects, and developed into this exploration of headphone space.

Format Sea - Part Four. The outro. (One of the spots where I actually think I got the vocals fairly okay.)

Part 3 of the Format Sea suite. Probably the closest thing to honest-to-goodness electronica here.

Self-titled opening track from Dead In The Water. Part one of the Format Sea suite.