@fallingupart: Ahh, I need to enunciate better. The last verse is supposed to go "But the fire came to rest/In your white velvet breast/So I somehow know/That it's safe."
Also, the other verse you mention goes "I forgot all my songs/The words now are wrong." Thanks for lending another ear so I can clarify the words better.
Misheard lyrics?
"But (Bought?) the fucking T-Rex
In your wide velvet breast
So I somehow I know
That it's safe"
Do I have that right? You do say you "forgot all your songs / The words now are (all?) wrong." Perhaps I am hearing those last lines correctly. Hmmm.
@VishnuExpress (BabaPrince Joseph): I didn't write this particular song, but when I sing it I am thinking of the concept of "Monkey Mind" http://en.wikipedia.org/wiki/Mind_monkey in addition to the concept of "Getting the Monkey Off Your Back." No literal monkeys were harmed in the making of this song. ;)
Listened to all of the songs on this playlist and I must say I am pleasantly surprised. I like your lyrics and your melodies most of all.
Will be back for more.
ER
@kavin -- thanks for the feedback! I improvised this with my brother several years ago so I wish I could still remember how I played it. But I'm glad that you and others are enjoying it!
@GeneEricMann Thanks for your kind words, in particular with regards to my vocals. I know I'm not a gifted singer, but what I lack in skill, I try to make up for in sincerity.
@justinotterguy: Thanks! I think it turned out pretty well. I suggest you check out Low's version, which inspired my version: http://youtu.be/Qy_bQq2sAoA
I don't resonate with the lyrics as much right now, but I anticipated this shift when I called it "the blues" instead of its actual title "street of dreams." So that title change may be why you haven't heard the original.
Oh ...and thanks for your kind words of encouragement, Ken!
Thanks, Ken -- I know my voice is not everyone's "cup of tea" so I appreciate it -- high praise coming from another musician such as yourself!
At some point I would like to do something studio proper, but that might not be for another few more years as I will probably be pretty busy with school for at least a little while longer. There’s a nice studio in town that is relatively cheap, it’s just a matter of me sitting down and putting together some songs worthy of investing that kind of energy into it. I suppose if I were collaborating with someone it would kind of force me to take it more seriously, but either way it’s on my list of things to do, for sure!
@thetworegs: Thanks! This one is one of the few I have recorded that turned out better than I could have hoped. Glad to hear that someone else enjoyed it.
Thanks Ken! I felt a little unsure whether to post this one as I could never get the guitar to not sound horribly out-of-tune. Nice to know that my singing sort of cancelled out the less than perfect guitar tone...
I'm more musician than lyricist, just so you know, but I'm def looking forward to hearing whatever you got for me to sing over. I'll give it my best shot!
I must have been replying to your comment about “Cinnamon Girl” at the same time you were commenting on this song.
I can’t remember which audio recorder I used for this particular song.
Most of the time I just have a cheap 20 dollar USB mic plugged straight into my desktop because I can manipulate the mix between voice and guitar easier by moving the mic closer or farther from my guitar (very lo-fi, I know!) However, I tend to record my electric guitar stuff on a Tascam DR-05, mostly because all my gear is in the living room and I’m too lazy to move it to the bedroom, where my computer is….
I will edit whatever recording I use with Audacity. Do you have any particular recording preferences, Ken, or is it completely dependent on song?
Ken, I agree that we seem to follow a similar muse and thus our favorites tend to mirror each other. I would love to hear your version of "Cinnamon Girl." It could be fun to one day jam to your version! Maybe even a collab w/ each of us trading solos/vox? :)
A true lover of the art of music takes the time to not only work on their own art, but support the music of other artists. I respect and admire the time you've invested in listening and commenting on so much music here. Additionally, I'm very honored that you would devote time to listening to anything I post here. Thanks again, Ken!
Oh, wow...I don't get much feedback these days, so your kind words are much appreciated, Ken! I hope you keep creating and posting your music as well - I'm really enjoying it. :)
@fallingupart: Ahh, I need to enunciate better. The last verse is supposed to go "But the fire came to rest/In your white velvet breast/So I somehow know/That it's safe."
Also, the other verse you mention goes "I forgot all my songs/The words now are wrong." Thanks for lending another ear so I can clarify the words better.
@VishnuExpress (BabaPrince Joseph): I didn't write this particular song, but when I sing it I am thinking of the concept of "Monkey Mind" http://en.wikipedia.org/wiki/Mind_monkey in addition to the concept of "Getting the Monkey Off Your Back." No literal monkeys were harmed in the making of this song. ;)
Comments on Tom's stuff
better than the original, nice job.
I like the mood this song sets
Tom Browning channeling Dylan when Bob had something real to say. Heartfelt and real. Nice.
@fallingupart: Ahh, I need to enunciate better. The last verse is supposed to go "But the fire came to rest/In your white velvet breast/So I somehow know/That it's safe." Also, the other verse you mention goes "I forgot all my songs/The words now are wrong." Thanks for lending another ear so I can clarify the words better.
Misheard lyrics? "But (Bought?) the fucking T-Rex In your wide velvet breast So I somehow I know That it's safe" Do I have that right? You do say you "forgot all your songs / The words now are (all?) wrong." Perhaps I am hearing those last lines correctly. Hmmm.
@VishnuExpress (BabaPrince Joseph): I didn't write this particular song, but when I sing it I am thinking of the concept of "Monkey Mind" http://en.wikipedia.org/wiki/Mind_monkey in addition to the concept of "Getting the Monkey Off Your Back." No literal monkeys were harmed in the making of this song. ;)
a tune with you will be good, so i can tell you how without cage, you don't to take a monkey home.
nice sentiments put to music - good one!
fantastic tune...
exactly what i´m trying to do...cheers from brazil!
love your guitar
Listened to all of the songs on this playlist and I must say I am pleasantly surprised. I like your lyrics and your melodies most of all. Will be back for more. ER
Also - great rhythm. Am listening on terrible speakers, and you still made me tap my feet! :)
Great vocal control - love the choices you make. Very cool cover.
Added to my PF Surrogate Band playlist! http://alonetone.com/kavin/playlists/surrogate-band-pink-floyd-on-alonetone
Nice one!
Good song - like it
Yes, lovely cover!
Lovely voice - great vibrato and tone! Love this song. Super cool effects at 2 mins.
Interesting effect in there. I like the simple straight forward approach.
Comments made by Tom
@tdg7 -- thank you for the kind words! I recommend, if you have the desire, to go check out J. Tillman's version; it is far superior to mine.
@kavin -- thanks for the feedback! I improvised this with my brother several years ago so I wish I could still remember how I played it. But I'm glad that you and others are enjoying it!
@GeneEricMann Thanks for your kind words, in particular with regards to my vocals. I know I'm not a gifted singer, but what I lack in skill, I try to make up for in sincerity.
@justinotterguy: Thanks! I think it turned out pretty well. I suggest you check out Low's version, which inspired my version: http://youtu.be/Qy_bQq2sAoA
@TheRoseSerumSextet: Thank you for the kind words. Not many are brave enough to listen to my more improvisational stuff, so I do appreciate it!
@nazarevox: Thank you for listening and the encouraging feedback, Marcelo!
Thanks Ken! I was inspired by Madi Diaz's version. So if you like this version you might check out her version because it's pretty rad.
I don't resonate with the lyrics as much right now, but I anticipated this shift when I called it "the blues" instead of its actual title "street of dreams." So that title change may be why you haven't heard the original. Oh ...and thanks for your kind words of encouragement, Ken!
Thanks Ken!
Thanks, Ken -- I know my voice is not everyone's "cup of tea" so I appreciate it -- high praise coming from another musician such as yourself! At some point I would like to do something studio proper, but that might not be for another few more years as I will probably be pretty busy with school for at least a little while longer. There’s a nice studio in town that is relatively cheap, it’s just a matter of me sitting down and putting together some songs worthy of investing that kind of energy into it. I suppose if I were collaborating with someone it would kind of force me to take it more seriously, but either way it’s on my list of things to do, for sure!
@thetworegs: Thanks! This one is one of the few I have recorded that turned out better than I could have hoped. Glad to hear that someone else enjoyed it.
Thanks Ken! I felt a little unsure whether to post this one as I could never get the guitar to not sound horribly out-of-tune. Nice to know that my singing sort of cancelled out the less than perfect guitar tone...
I'm more musician than lyricist, just so you know, but I'm def looking forward to hearing whatever you got for me to sing over. I'll give it my best shot!
I must have been replying to your comment about “Cinnamon Girl” at the same time you were commenting on this song. I can’t remember which audio recorder I used for this particular song. Most of the time I just have a cheap 20 dollar USB mic plugged straight into my desktop because I can manipulate the mix between voice and guitar easier by moving the mic closer or farther from my guitar (very lo-fi, I know!) However, I tend to record my electric guitar stuff on a Tascam DR-05, mostly because all my gear is in the living room and I’m too lazy to move it to the bedroom, where my computer is…. I will edit whatever recording I use with Audacity. Do you have any particular recording preferences, Ken, or is it completely dependent on song?
Ken, I agree that we seem to follow a similar muse and thus our favorites tend to mirror each other. I would love to hear your version of "Cinnamon Girl." It could be fun to one day jam to your version! Maybe even a collab w/ each of us trading solos/vox? :)
A true lover of the art of music takes the time to not only work on their own art, but support the music of other artists. I respect and admire the time you've invested in listening and commenting on so much music here. Additionally, I'm very honored that you would devote time to listening to anything I post here. Thanks again, Ken!
Oh, wow...I don't get much feedback these days, so your kind words are much appreciated, Ken! I hope you keep creating and posting your music as well - I'm really enjoying it. :)
@KnD thanks for your enthusiasm and encouragement! The song is directed at a very important woman in my life. I hope she likes it. :)
@fallingupart: Ahh, I need to enunciate better. The last verse is supposed to go "But the fire came to rest/In your white velvet breast/So I somehow know/That it's safe." Also, the other verse you mention goes "I forgot all my songs/The words now are wrong." Thanks for lending another ear so I can clarify the words better.
@VishnuExpress (BabaPrince Joseph): I didn't write this particular song, but when I sing it I am thinking of the concept of "Monkey Mind" http://en.wikipedia.org/wiki/Mind_monkey in addition to the concept of "Getting the Monkey Off Your Back." No literal monkeys were harmed in the making of this song. ;)