My aunt gifted me a 12 string guitar for Christmas and so I had fun trying it out for this song; I'm glad it turned out okay. As always, thanks for listening and for the encouraging words, Steve!
I'm glad to hear that what I recorded turned out sounding authentic. That "heart on my sleeve" vibe was definitely what I was going for. Thanks for the kind words, Steve!
Thanks for listening and for the support, Steve! The simultaneous fingerpicking and singing was hard to get down perfectly, so I'm glad it turned out okay.
Took me about a decade of singing alone in my bedroom before I was brave enough to record anything! I'm glad it sometimes sounds good enough to listen to. Thanks for your kind feedback, Steve!
The reverb I get in my apt definitely added a nice flavor to this song. I've been playing this tune in one form or another for at least 15 years, so I thought it'd be cool to record it in the new place to see how it sounds in novel surroundings. As always, thanks for the support and kind feedback, Steve!
Nice song, new to me. Like the live sound and fretboard squeaks, creates a mood and an atmosphere. Great vocals! The chord syncing sounds tricky, but you've made a very special performance here Tom. Excellent!
Intro sampled from Buckethead's "First Master." Music by DoktorDoktor. Lyrics by Lao Tzu & Tom Browning
Approach it and there is no beginning
Follow it and there is no ending
You can't know it but you can be it
Just realize and stay…
Intro sampled from Buckethead's "First Master." Music by DoktorDoktor. Lyrics by Lao Tzu & Tom Browning
Approach it and there is no beginning
Follow it and there is no ending
You can't know it but you can be it
Just realize and stay…
I definitely tried to go for a natural approach and that has its pros and cons. There are a few word salads in this song that I stumbled through but at least it's authentic and authenticity was key with this one. Thanks, as always, for listening and providing the kind feedback, Steve!
@kavin -- thanks for the feedback! I improvised this with my brother several years ago so I wish I could still remember how I played it. But I'm glad that you and others are enjoying it!
@GeneEricMann Thanks for your kind words, in particular with regards to my vocals. I know I'm not a gifted singer, but what I lack in skill, I try to make up for in sincerity.
@justinotterguy: Thanks! I think it turned out pretty well. I suggest you check out Low's version, which inspired my version: http://youtu.be/Qy_bQq2sAoA
I don't resonate with the lyrics as much right now, but I anticipated this shift when I called it "the blues" instead of its actual title "street of dreams." So that title change may be why you haven't heard the original.
Oh ...and thanks for your kind words of encouragement, Ken!
Thanks, Ken -- I know my voice is not everyone's "cup of tea" so I appreciate it -- high praise coming from another musician such as yourself!
At some point I would like to do something studio proper, but that might not be for another few more years as I will probably be pretty busy with school for at least a little while longer. There’s a nice studio in town that is relatively cheap, it’s just a matter of me sitting down and putting together some songs worthy of investing that kind of energy into it. I suppose if I were collaborating with someone it would kind of force me to take it more seriously, but either way it’s on my list of things to do, for sure!
@thetworegs: Thanks! This one is one of the few I have recorded that turned out better than I could have hoped. Glad to hear that someone else enjoyed it.
Thanks Ken! I felt a little unsure whether to post this one as I could never get the guitar to not sound horribly out-of-tune. Nice to know that my singing sort of cancelled out the less than perfect guitar tone...
I'm more musician than lyricist, just so you know, but I'm def looking forward to hearing whatever you got for me to sing over. I'll give it my best shot!
I must have been replying to your comment about “Cinnamon Girl” at the same time you were commenting on this song.
I can’t remember which audio recorder I used for this particular song.
Most of the time I just have a cheap 20 dollar USB mic plugged straight into my desktop because I can manipulate the mix between voice and guitar easier by moving the mic closer or farther from my guitar (very lo-fi, I know!) However, I tend to record my electric guitar stuff on a Tascam DR-05, mostly because all my gear is in the living room and I’m too lazy to move it to the bedroom, where my computer is….
I will edit whatever recording I use with Audacity. Do you have any particular recording preferences, Ken, or is it completely dependent on song?
Ken, I agree that we seem to follow a similar muse and thus our favorites tend to mirror each other. I would love to hear your version of "Cinnamon Girl." It could be fun to one day jam to your version! Maybe even a collab w/ each of us trading solos/vox? :)
A true lover of the art of music takes the time to not only work on their own art, but support the music of other artists. I respect and admire the time you've invested in listening and commenting on so much music here. Additionally, I'm very honored that you would devote time to listening to anything I post here. Thanks again, Ken!
Oh, wow...I don't get much feedback these days, so your kind words are much appreciated, Ken! I hope you keep creating and posting your music as well - I'm really enjoying it. :)
@fallingupart: Ahh, I need to enunciate better. The last verse is supposed to go "But the fire came to rest/In your white velvet breast/So I somehow know/That it's safe."
Also, the other verse you mention goes "I forgot all my songs/The words now are wrong." Thanks for lending another ear so I can clarify the words better.
@VishnuExpress (BabaPrince Joseph): I didn't write this particular song, but when I sing it I am thinking of the concept of "Monkey Mind" http://en.wikipedia.org/wiki/Mind_monkey in addition to the concept of "Getting the Monkey Off Your Back." No literal monkeys were harmed in the making of this song. ;)
Comments on Tom's stuff
My aunt gifted me a 12 string guitar for Christmas and so I had fun trying it out for this song; I'm glad it turned out okay. As always, thanks for listening and for the encouraging words, Steve!
Nice cover Tom. I think your voice is great for this song. Great sound!
I'm glad to hear that what I recorded turned out sounding authentic. That "heart on my sleeve" vibe was definitely what I was going for. Thanks for the kind words, Steve!
Like this a lot. You express the feeling very convincingly and bring the words to life. Great!
Thanks for listening and for the support, Steve! The simultaneous fingerpicking and singing was hard to get down perfectly, so I'm glad it turned out okay.
@sistersavage -- thanks for the kind words, Tess!
Suits your style well. Tom will be applauding from heaven I reckon. Good job!
Beautiful acoustic song Tom. Great performance!
LOVE your tone! Another beaut.
Love the songs you choose to cover - this really suits your ethereal style - very haunting.
Wonderful and fitting tribute...
Took me about a decade of singing alone in my bedroom before I was brave enough to record anything! I'm glad it sometimes sounds good enough to listen to. Thanks for your kind feedback, Steve!
Really nice sound and feel to this. Wish I could sing as well as you Tom! Great!
The reverb I get in my apt definitely added a nice flavor to this song. I've been playing this tune in one form or another for at least 15 years, so I thought it'd be cool to record it in the new place to see how it sounds in novel surroundings. As always, thanks for the support and kind feedback, Steve!
Atmospheric sound and great vocals Tom! The chord syncing sounds difficult but you made an excellent job of it. Great job!
Had to revisit this one…your best!
Nice song, new to me. Like the live sound and fretboard squeaks, creates a mood and an atmosphere. Great vocals! The chord syncing sounds tricky, but you've made a very special performance here Tom. Excellent!
Thank you for listening and for the kind words, @sistersavage!
Very nicely done. Great energy in that music.
I definitely tried to go for a natural approach and that has its pros and cons. There are a few word salads in this song that I stumbled through but at least it's authentic and authenticity was key with this one. Thanks, as always, for listening and providing the kind feedback, Steve!
Comments made by Tom
@tdg7 -- thank you for the kind words! I recommend, if you have the desire, to go check out J. Tillman's version; it is far superior to mine.
@kavin -- thanks for the feedback! I improvised this with my brother several years ago so I wish I could still remember how I played it. But I'm glad that you and others are enjoying it!
@GeneEricMann Thanks for your kind words, in particular with regards to my vocals. I know I'm not a gifted singer, but what I lack in skill, I try to make up for in sincerity.
@justinotterguy: Thanks! I think it turned out pretty well. I suggest you check out Low's version, which inspired my version: http://youtu.be/Qy_bQq2sAoA
@TheRoseSerumSextet: Thank you for the kind words. Not many are brave enough to listen to my more improvisational stuff, so I do appreciate it!
@nazarevox: Thank you for listening and the encouraging feedback, Marcelo!
Thanks Ken! I was inspired by Madi Diaz's version. So if you like this version you might check out her version because it's pretty rad.
I don't resonate with the lyrics as much right now, but I anticipated this shift when I called it "the blues" instead of its actual title "street of dreams." So that title change may be why you haven't heard the original. Oh ...and thanks for your kind words of encouragement, Ken!
Thanks Ken!
Thanks, Ken -- I know my voice is not everyone's "cup of tea" so I appreciate it -- high praise coming from another musician such as yourself! At some point I would like to do something studio proper, but that might not be for another few more years as I will probably be pretty busy with school for at least a little while longer. There’s a nice studio in town that is relatively cheap, it’s just a matter of me sitting down and putting together some songs worthy of investing that kind of energy into it. I suppose if I were collaborating with someone it would kind of force me to take it more seriously, but either way it’s on my list of things to do, for sure!
@thetworegs: Thanks! This one is one of the few I have recorded that turned out better than I could have hoped. Glad to hear that someone else enjoyed it.
Thanks Ken! I felt a little unsure whether to post this one as I could never get the guitar to not sound horribly out-of-tune. Nice to know that my singing sort of cancelled out the less than perfect guitar tone...
I'm more musician than lyricist, just so you know, but I'm def looking forward to hearing whatever you got for me to sing over. I'll give it my best shot!
I must have been replying to your comment about “Cinnamon Girl” at the same time you were commenting on this song. I can’t remember which audio recorder I used for this particular song. Most of the time I just have a cheap 20 dollar USB mic plugged straight into my desktop because I can manipulate the mix between voice and guitar easier by moving the mic closer or farther from my guitar (very lo-fi, I know!) However, I tend to record my electric guitar stuff on a Tascam DR-05, mostly because all my gear is in the living room and I’m too lazy to move it to the bedroom, where my computer is…. I will edit whatever recording I use with Audacity. Do you have any particular recording preferences, Ken, or is it completely dependent on song?
Ken, I agree that we seem to follow a similar muse and thus our favorites tend to mirror each other. I would love to hear your version of "Cinnamon Girl." It could be fun to one day jam to your version! Maybe even a collab w/ each of us trading solos/vox? :)
A true lover of the art of music takes the time to not only work on their own art, but support the music of other artists. I respect and admire the time you've invested in listening and commenting on so much music here. Additionally, I'm very honored that you would devote time to listening to anything I post here. Thanks again, Ken!
Oh, wow...I don't get much feedback these days, so your kind words are much appreciated, Ken! I hope you keep creating and posting your music as well - I'm really enjoying it. :)
@KnD thanks for your enthusiasm and encouragement! The song is directed at a very important woman in my life. I hope she likes it. :)
@fallingupart: Ahh, I need to enunciate better. The last verse is supposed to go "But the fire came to rest/In your white velvet breast/So I somehow know/That it's safe." Also, the other verse you mention goes "I forgot all my songs/The words now are wrong." Thanks for lending another ear so I can clarify the words better.
@VishnuExpress (BabaPrince Joseph): I didn't write this particular song, but when I sing it I am thinking of the concept of "Monkey Mind" http://en.wikipedia.org/wiki/Mind_monkey in addition to the concept of "Getting the Monkey Off Your Back." No literal monkeys were harmed in the making of this song. ;)