Thanks, as always for listening and for the kind feedback, Steve! It's kind of scary to strip everything away and really expose one's voice and playing. So it's kind of a relief that what I did here still turned out sounding okay.
Thanks, Steve! I tried to go real lo fi on this one -- no overdubs. I figured I was due for some optimism in my song choices after recording all of Beck's Sea Change.
I felt downright awful as I was recording this song, "Already Dead," and "Side of the Road," so maybe my state of mind and body at the time added an additional charge to these songs? Either way, I'm glad you enjoyed them and I appreciate your ongoing encouragement, Steve!
I'm glad that my recent run of Beck songs resonates with you, Steve! There's a therapeutic quality to them and I think that aspect manifests in the way I translate Beck's vocals. It's a nice bonus that it's somehow enjoyable for others, such as you, to listen to.
As my old Algebra teacher used to say: Keep It Simple, Stupid! I've found that some of the best songs are the most simple. Glad to hear that this approach has translated well to your ears, Steve. Thanks, as always, for listening.
Indeed, the chord changes were sometimes a bit tricky, but I think I managed to practice them well enough to get a finished product out there without too much trouble. Thanks, as always, for the kind feedback, Steve!
Spot on insights, Steve! I think the author of the song was drawing on Thomas Mann's "Magic Mountain," particularly its meditation on the subjective nature of time. For example, time sometimes can seem to stand still when spending time with those we hold most dear.
@kavin -- thanks for the feedback! I improvised this with my brother several years ago so I wish I could still remember how I played it. But I'm glad that you and others are enjoying it!
@GeneEricMann Thanks for your kind words, in particular with regards to my vocals. I know I'm not a gifted singer, but what I lack in skill, I try to make up for in sincerity.
@justinotterguy: Thanks! I think it turned out pretty well. I suggest you check out Low's version, which inspired my version: http://youtu.be/Qy_bQq2sAoA
I don't resonate with the lyrics as much right now, but I anticipated this shift when I called it "the blues" instead of its actual title "street of dreams." So that title change may be why you haven't heard the original.
Oh ...and thanks for your kind words of encouragement, Ken!
Thanks, Ken -- I know my voice is not everyone's "cup of tea" so I appreciate it -- high praise coming from another musician such as yourself!
At some point I would like to do something studio proper, but that might not be for another few more years as I will probably be pretty busy with school for at least a little while longer. There’s a nice studio in town that is relatively cheap, it’s just a matter of me sitting down and putting together some songs worthy of investing that kind of energy into it. I suppose if I were collaborating with someone it would kind of force me to take it more seriously, but either way it’s on my list of things to do, for sure!
@thetworegs: Thanks! This one is one of the few I have recorded that turned out better than I could have hoped. Glad to hear that someone else enjoyed it.
Thanks Ken! I felt a little unsure whether to post this one as I could never get the guitar to not sound horribly out-of-tune. Nice to know that my singing sort of cancelled out the less than perfect guitar tone...
I'm more musician than lyricist, just so you know, but I'm def looking forward to hearing whatever you got for me to sing over. I'll give it my best shot!
I must have been replying to your comment about “Cinnamon Girl” at the same time you were commenting on this song.
I can’t remember which audio recorder I used for this particular song.
Most of the time I just have a cheap 20 dollar USB mic plugged straight into my desktop because I can manipulate the mix between voice and guitar easier by moving the mic closer or farther from my guitar (very lo-fi, I know!) However, I tend to record my electric guitar stuff on a Tascam DR-05, mostly because all my gear is in the living room and I’m too lazy to move it to the bedroom, where my computer is….
I will edit whatever recording I use with Audacity. Do you have any particular recording preferences, Ken, or is it completely dependent on song?
Ken, I agree that we seem to follow a similar muse and thus our favorites tend to mirror each other. I would love to hear your version of "Cinnamon Girl." It could be fun to one day jam to your version! Maybe even a collab w/ each of us trading solos/vox? :)
A true lover of the art of music takes the time to not only work on their own art, but support the music of other artists. I respect and admire the time you've invested in listening and commenting on so much music here. Additionally, I'm very honored that you would devote time to listening to anything I post here. Thanks again, Ken!
Oh, wow...I don't get much feedback these days, so your kind words are much appreciated, Ken! I hope you keep creating and posting your music as well - I'm really enjoying it. :)
@fallingupart: Ahh, I need to enunciate better. The last verse is supposed to go "But the fire came to rest/In your white velvet breast/So I somehow know/That it's safe."
Also, the other verse you mention goes "I forgot all my songs/The words now are wrong." Thanks for lending another ear so I can clarify the words better.
@VishnuExpress (BabaPrince Joseph): I didn't write this particular song, but when I sing it I am thinking of the concept of "Monkey Mind" http://en.wikipedia.org/wiki/Mind_monkey in addition to the concept of "Getting the Monkey Off Your Back." No literal monkeys were harmed in the making of this song. ;)
Comments on Tom's stuff
Nice song, Natural and stripped back, it's very well performed Tom.
Thanks, as always for listening and for the kind feedback, Steve! It's kind of scary to strip everything away and really expose one's voice and playing. So it's kind of a relief that what I did here still turned out sounding okay.
Cool. You can perform very well without a bag of tricks Tom, and I think that's proper talent. Excellent!
Very sweet and good tempo Tom.
Live and natural sounds. Great singing with some very high notes in there. Well done!
Thanks, Steve! I tried to go real lo fi on this one -- no overdubs. I figured I was due for some optimism in my song choices after recording all of Beck's Sea Change.
Like it. Nice and clear sound and a charming view of the future!
Another good choice.
I felt downright awful as I was recording this song, "Already Dead," and "Side of the Road," so maybe my state of mind and body at the time added an additional charge to these songs? Either way, I'm glad you enjoyed them and I appreciate your ongoing encouragement, Steve!
Simple but effective lyrics. Good song that you express very well Tom.
This is cool. Chords are nice and I wish I could sing this high!
I'm glad that my recent run of Beck songs resonates with you, Steve! There's a therapeutic quality to them and I think that aspect manifests in the way I translate Beck's vocals. It's a nice bonus that it's somehow enjoyable for others, such as you, to listen to.
Another new one on me. Your voice suits the Beck songs very well. Good job!
Nice song Tom!
As my old Algebra teacher used to say: Keep It Simple, Stupid! I've found that some of the best songs are the most simple. Glad to hear that this approach has translated well to your ears, Steve. Thanks, as always, for listening.
Simple but beautiful song. Nice version Tom!
Indeed, the chord changes were sometimes a bit tricky, but I think I managed to practice them well enough to get a finished product out there without too much trouble. Thanks, as always, for the kind feedback, Steve!
Nice tune. Chord changes sound tricky. Good sound Tom. I think you made a great job here.
Soulful performance, and good use of your vocal range Tom.
Spot on insights, Steve! I think the author of the song was drawing on Thomas Mann's "Magic Mountain," particularly its meditation on the subjective nature of time. For example, time sometimes can seem to stand still when spending time with those we hold most dear.
Comments made by Tom
@tdg7 -- thank you for the kind words! I recommend, if you have the desire, to go check out J. Tillman's version; it is far superior to mine.
@kavin -- thanks for the feedback! I improvised this with my brother several years ago so I wish I could still remember how I played it. But I'm glad that you and others are enjoying it!
@GeneEricMann Thanks for your kind words, in particular with regards to my vocals. I know I'm not a gifted singer, but what I lack in skill, I try to make up for in sincerity.
@justinotterguy: Thanks! I think it turned out pretty well. I suggest you check out Low's version, which inspired my version: http://youtu.be/Qy_bQq2sAoA
@TheRoseSerumSextet: Thank you for the kind words. Not many are brave enough to listen to my more improvisational stuff, so I do appreciate it!
@nazarevox: Thank you for listening and the encouraging feedback, Marcelo!
Thanks Ken! I was inspired by Madi Diaz's version. So if you like this version you might check out her version because it's pretty rad.
I don't resonate with the lyrics as much right now, but I anticipated this shift when I called it "the blues" instead of its actual title "street of dreams." So that title change may be why you haven't heard the original. Oh ...and thanks for your kind words of encouragement, Ken!
Thanks Ken!
Thanks, Ken -- I know my voice is not everyone's "cup of tea" so I appreciate it -- high praise coming from another musician such as yourself! At some point I would like to do something studio proper, but that might not be for another few more years as I will probably be pretty busy with school for at least a little while longer. There’s a nice studio in town that is relatively cheap, it’s just a matter of me sitting down and putting together some songs worthy of investing that kind of energy into it. I suppose if I were collaborating with someone it would kind of force me to take it more seriously, but either way it’s on my list of things to do, for sure!
@thetworegs: Thanks! This one is one of the few I have recorded that turned out better than I could have hoped. Glad to hear that someone else enjoyed it.
Thanks Ken! I felt a little unsure whether to post this one as I could never get the guitar to not sound horribly out-of-tune. Nice to know that my singing sort of cancelled out the less than perfect guitar tone...
I'm more musician than lyricist, just so you know, but I'm def looking forward to hearing whatever you got for me to sing over. I'll give it my best shot!
I must have been replying to your comment about “Cinnamon Girl” at the same time you were commenting on this song. I can’t remember which audio recorder I used for this particular song. Most of the time I just have a cheap 20 dollar USB mic plugged straight into my desktop because I can manipulate the mix between voice and guitar easier by moving the mic closer or farther from my guitar (very lo-fi, I know!) However, I tend to record my electric guitar stuff on a Tascam DR-05, mostly because all my gear is in the living room and I’m too lazy to move it to the bedroom, where my computer is…. I will edit whatever recording I use with Audacity. Do you have any particular recording preferences, Ken, or is it completely dependent on song?
Ken, I agree that we seem to follow a similar muse and thus our favorites tend to mirror each other. I would love to hear your version of "Cinnamon Girl." It could be fun to one day jam to your version! Maybe even a collab w/ each of us trading solos/vox? :)
A true lover of the art of music takes the time to not only work on their own art, but support the music of other artists. I respect and admire the time you've invested in listening and commenting on so much music here. Additionally, I'm very honored that you would devote time to listening to anything I post here. Thanks again, Ken!
Oh, wow...I don't get much feedback these days, so your kind words are much appreciated, Ken! I hope you keep creating and posting your music as well - I'm really enjoying it. :)
@KnD thanks for your enthusiasm and encouragement! The song is directed at a very important woman in my life. I hope she likes it. :)
@fallingupart: Ahh, I need to enunciate better. The last verse is supposed to go "But the fire came to rest/In your white velvet breast/So I somehow know/That it's safe." Also, the other verse you mention goes "I forgot all my songs/The words now are wrong." Thanks for lending another ear so I can clarify the words better.
@VishnuExpress (BabaPrince Joseph): I didn't write this particular song, but when I sing it I am thinking of the concept of "Monkey Mind" http://en.wikipedia.org/wiki/Mind_monkey in addition to the concept of "Getting the Monkey Off Your Back." No literal monkeys were harmed in the making of this song. ;)