I was getting too many comments about stretching, so have removed it from my repertoire. It's really cheating anyways. So, from now on, nothing that can't be done with an army of reel-to-reel tape decks and a mixer: slowing, speeding, looping…

I worked on this song for approximately 12 hours today, after working on it for approximately 2 years. It's been a bit of a problem for me; one that I may have finally solved. Let's hope 'Dear Prudence' goes a little faster...

A manipulation of the raw data of a photograph of a soldier at a grave, originally chosen for tonal reasons. I haven't slept for days; some of that comes through. Play as loud as war.

It was a map of the world. It was missing Antarctica.

Based on the raw data from an image of thirteen stones. Recorded after yet another night with no sleep.

I'm very happy with this, even though it completely froze my computer up.

In my search for tones to animate I came up with a picture of nine post-it notes. It bothered me.

This was a picture of a candle I found by googling "a soft issue". I was having insomnia again tonight while trying to resolve more software issues, so recorded a song instead of sleeping.

Art for art's sake.

The idea of glamour gives me a headache.

All of the images that I am converting to sound come from a google search for "a soft issue". This was a picture of a glass ring.

Something beautiful for the end of the album . . . THANKS, CHRIS!

BETTER.

Decided to do a second version, at work, without speakers. I have no idea why. I think this might sound kind of weird.

Percussion piece. Dedicated to Rich West.

Guitars. Can't live with them, can't live without them.