Cover of Everlast. Whole lot of synth special FX in this one.

A dark, avant gaurde cum progressive rock piece that would probably make Roger Waters scratch his head. It CAN happen here.

Done by the Blind Boys of Alabama and Johnny Cash but NEVER like this. The base for this song was constructed from home made samples, including the sound of a 9mm Sig Sauer being fired. Bass was my first attempt at using a synth (Massive).

This was the B side of Randy Newman's "Short People". My first recording with my new jumbo acoustic Michael Kelly. Please excuse the voice. Trying to sound like an old man on a farm with my voice ain't easy! :)

My apologies to Ray Willie Hubbard. This sounds nothing like his great version of this. All instruments played by me, in studio. This was before I discovered the usefulness of a pop filter.

One of my first experiments with DADGAD tuning. I was hoping to get a dark,droning sound. I lived in Missouri for a lot of years and this sounds like what it feels like to be out in the sticks there.

Written, guitar free, exclusively for Native Instruments MASSIVE.

Sometimes I like to play a little jazz/bebop stuff.

Sometimes I like to play a little jazz/bebop stuff.