just over three minutes of circular breathing (breathing in and out simultaneously) on the didgeridoo, a single take.

Because everything is always more magnificent underwater

Episode One: Sandbags allowed me to use his mad rhythms- see here for an explanation: http://alonetone.com/sandbags/tracks/my-name-is-harry-palmer Sudara lent me some samples of him playing chords from his new autoharp, an ebow against piano…

The psyche is a weird place, I'll just talk about it musically. The piece begins with the sounds of Sudara's autoharp, the weeping woodwind sounds of the clarinetist from Megafauna Lacrymosa , and a low kick-like percussive sound, which is…

yeah, unfinished.

guitars, synths, tabla, tambourine, and elephants (the lead melody at around 01:40)

...I want, that you should know, you should listen to my loving voice that call you with me to the far star about which we dreamt with you...

This is the first part of a theme that my dad composed for piano and and I orchestrate it.

This is the first part of a theme that my dad composed for piano and and I orchestrate it.