Score for a spoken word piece.

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G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1G2l78u4b6o79t8i0c1…

Okay so I enjoyed doing Glubotism1 enough that I thought I'd take a second crack at it. Same tools but took a different approach to how I used Stylus RMX and I introduced some of it's built-in effects on some of the parts. Also I bused RMX and…

more bioelectrophilia... titi monkeys, sakis, toucans...

Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…