jimgoodinmusic

jimgoodinmusic

from Brooklyn, US

5 shades of blue (2015)

5 tracks by jimgoodinmusic

Five noise lap steel tracks recorded from inspiration of the Line 6 iOS amp model of the same name. Works improvised in pass and posted for ImprovFriday.

19:33

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inspired by iOS Line 6 amp model name 5 shades of blue, this was first improv
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inspired by iOS Line 6 amp model name 5 shades of blue, this was second improv
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inspired by iOS Line 6 amp model name 5 shades of blue, this was third improv
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inspired by iOS Line 6 amp model name 5 shades of blue, this was fourth improv
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inspired by iOS Line 6 amp model name 5 shades of blue, this was fifth improv
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Passing the Torch (2014)

10 tracks by jimgoodinmusic

Tracks created spontaneously with heavy delay all initially inspired by Steve Tibbetts. The project has grown to include my bud and collab partner in Texas, Kavin aka Tonefreak who is currently producing the next set of pieces. Stay tuned.

67:16

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First violin track in a while, played for the delay project.
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Thinking about GPS, continuing to explore delay and this tuning low to high AACEAE.
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After not having played for a while I was inspired by a Steve Tibbetts sound and tried to recreate it and failed. This came out. The title was indeed misinterpreted words not intended and not really about this piece of music but in a sense was.
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Another in thoughts of heavy delay playing the spaces. I'm thinking of a project of several tracks in this vein after not much music making in recent months.
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Another improvisation for the recently inspired delay project. Currently recording a piece a night, all spontaneous with heavy delay. This recording and piece inspired by the sound of metal cooking lid.
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Another piece for the pile in my delay series. Title reflecting all going on in our world right now which is troubling.
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Continuing the delay project of the last several nights spun off by Sunday's inspiration. This piece recorded on 12-string, heavy delay and overlay. Stay tuned for where I'm going...
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Piece 5 in my project series. This one has had more alteration than the others, solo track with heavy delay, then two partial tracks midway that didn't get the processing I wanted so I used software manipulation to achieve what I thought I might…
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Number 6 in my delay series project... and now it's your turn.
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another solo improv with delay. This will either be a 7th piece or a piece for response by Kavin. I particularly found lyricism in a line that I wanted to run with in this. It's nice to play guitar again.
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Glass (2014)

3 tracks by jimgoodinmusic

Some acoustic room improvs recorded after my bike wreck, no delay just room captures.

11:54

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one of a few improvs from the other night following a bike accident. these are all acoustic, no delay, just room recording, in tuning low to high AACEAE.
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another room improv, AACEAE
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a 3rd from the post bike accident series
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sounds in 'c' (2014)

6 tracks by jimgoodinmusic

Experimentations with the Csound audio programming environment based on the c computer language. These pieces were built from computer generated sine tones largely, sequenced but sometimes assembled post in a DAW.

27:18

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Another computer generated composition largely created using Csound, an audio programming environment built in the c language by Barry Vercoe in the mid-80's at MIT. I've recently been experimenting with it creating synthesis sounds. This piece…read more
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This is my first of a composition using the sound programming environment Csound. This piece was based on four sine tones 500, 480, 460 and 510 hz. I scored trial error in Csound and mapped the score which is done by numbers until nearly each…read more
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Another one in my computer generated compositions using 100, 140, 180, 200, 240, 260, 280 and 300 hz sine tones chosen at random, later pieced together in Audacity and looped.
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more experiments with composing with sine tones in c Sound. using 480 and 460 cycle tones and voice. As I say in the title this is a matra for my head for an upcoming biking event in Tucson.
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I'm continuing to work with computer generated tone waves, recently using csound, a programming environment in the c language. I generally generate a file and post manipulate in a DAW as was the case here.
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using 500, 530, 560 and 590 hz sines played in taps with a widget panel in csound. processed in audacity with much PaulStretch.
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R[etro] (2014)

7 tracks by jimgoodinmusic

Some new pieces created mostly via electric violin with loops, several fed through Midi converter and producing sounds via Yamaha FM modules.

35:59

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I improvised this piece a few days ago utilizing electric violin midi'd to a Yamaha FM module, looping in Loopy HD/iOS. A new friend I know from my biking adventures, Henry Reid Carter, responded to it and did a remix embellishing with processing…read more
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for the patch schmooh
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Controlling an 80's Yamaha FB01 synth with a violin through a Sonuus G2M converter. 3 tracks.
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a violin piece done in Loopy HD for iOS
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Violin through Yamaha FB-01 synth
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violin, delay, trax
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violin controller to Yamaha synth in Loopy HD
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