425 tracks by jimgoodinmusic

created with violin, midi and pure data
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Pure Data oscillators controlled through a lap steel with a midi interface.
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Created with Pure Data oscillators built with pitches C-F-G from octave 0 to 6. For the Terry Riley In C Sound-In event.
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Violin played live into my Pure Data Looper. For our Sound-In event this weekend with an optional theme of Terry Riley's In C in mind.
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Working with a new Pure Data sequencer patch and sequencing in general which is new to me. Our Sound-In event this weekend is optional theme around Terry Riley's In C. This is as title said kind of I hope a 'dubish' beat.
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An online live collaboration by Jim Goodin and Ray Istorico via Ninjam on Nov 23rd, 2018. This is the unedited complete just exported with some reverb.
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Live by Ninjam, Ray Istorico and myself over the intertubes in free jam. 2 session files layered together for the final mix.
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Created in Pure Data and mixed live. One sample and several oscillators and noise objects.
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A piece created by west coast composer Paul H. Muller fusing traditional composition with computer randomization. I remixed with Pure Data oscillations and noise filters played live as the track played.
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electronic piece created in Pure Data
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Lap steel in a new Pure Data looper project, in celebration of the day.
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4 clarinets manipulated in a Pure Data patch, another version.
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4 clarinets looped and manipulated in Pure Data.
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Lap steel guitar and interactive Pure Data oscillations.
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Processed lap steel guitar, loops and interactive Pure Data.
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Oscillations created in Pure Data. Thinking about southern California and tears for a nation.
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4 Pure Data oscillators and processed lap steel. Broken as in land for our times.
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remix of some NinJam pieces with electronic musician and friend Ray Istorico.
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Remixing 4 random lap steel outtakes from Reaper DAW recorded last spring. Using patch created in Pure Data.
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Pure Data oscillators and a violin sample recorded few weeks ago. Remixed, recomposed for the Sound-In event of Oct 26 and 27, 2018.
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Michael Hedges who left us in 1997 has been on my mind lately. He was a long time influence and for several years I worked in a solo acoustic guitar format in his spirit. Last night I was inspired to play and improvised this rough with him in mind.
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art reflects the times. processed violin.
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Processed in Pure Data and a patch I enhanced called Vinyl. 4 parts violin, altered.
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Solo violin improv thinking about the Hells Bells theme for this weekend's Sound-In.
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quick 2 minute improv done on acoustic guitar. Remixed, resampled using a patch in Pure Data to simulate skipping on a vinyl record. Kind of Steve Reichish in mind.
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A stretched recording of a street preacher captured earlier in the week combined with a violin improv from today. Titled for friends Jeff D and Peter T who both recently had to put their kitties down.
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At the weekend music collective event this weekend we are thinking of a member of our community who passed away 2 years ago. Steve Moshier, an eclectic pioneer of music and sound, percussionist, composer and educator. Check out the event at…
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Harmonicist Ken Ficara and I got together for a first time impromptu jam live recently in the meadow of Prospect Park. With instruments, some electronics, portable amps we performed for passerbys, dogs and water salesmen. This is one of 3 tracks…read more
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Another edit from a live setting in Prospect Park with harmonicist Ken Ficara and myself. This was opening moments. Ken - harmonica/electronics Jim - lap steel guitar/electronics.
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And a third edit from a recent live set in Prospect Park with harmonicist Ken Ficara. Ken - harmonica/electronics, Jim - violin/electronics
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Live lap steel recording in Prospect Park, Park Slope, Brooklyn.
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Processed violin and noise patch.
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A Trump Noise Drama piece to reflect the times. Grinder Drum Beat I incorporated in the mis created by Stereo Surgeon on Freesound.org. I looped it amongst the other things a few times.
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Made spur of moment from samples to get a piece in the weekend Sound-In forum. Difficult day and I was supposed to be up in Ithaca this evening but Still in Brooklyn
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Said goodbye to my oldest son little bit ago. He's on a 2 year stinct teaching English in Japan. Was home for a visit, headed back tonight for his second year. Nice to have him home, sad on leaving as always.
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An improv on lap steel, spur of moment for this weekend's Sound-In event. soundin.org.
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Another piece put together in Pure Data centered around element from Bobby Kennedy speech still ringing true today! Music elements by me. Drum sample from MattC90 on Freesound.org, https://freesound.org/people/Mattc90/sounds/264284/.
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Our theme at Sound-In.org this weekend is manipulation, approaching an instrument from another way, alternative ideas/techniques in sound. I built a patch in Pure Data with ideas replicating a turntable, being able to skip, playing small segments…read more
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another piece made with computer generated sine frequencies and played live in Pure Data.
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Human Artificial Intelligence - the sine tones, A (440.000), B (493.883), C (261.626), D (293.665), F# (369.994) and E (659.255). Sine tones created using C++. Played naturally with mouse input in a Pure Data patch triggering the 6 samples and…read more
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Not the one by Led Zepplin but in anticipation of doing a collaboration with fellow music bud Paul Muller and making a trip out to southern CA currently I did this short string quartet which was all thought out, composed with fairly traditional…read more
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continued work with oscillators in Pure Data. Created a wash and improvised lap steel over it.
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violin and pure data oscillations. Stretched in final mixing.
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Processed and stretched violin samples initially played real time. Mix done in Pure Data.
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Another piece with the violin segments. Changed the position of the smaller segments of the samples in my Pure Data patch. Think you can dance to this one hence the title :)
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Live violin recorded in six 30 second samples, then digitally altered and remixed in a Pure Data patch I made this week for the purpose.
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synth oscillations created in Pure Data a few days ago. This evening I added three tracks of violin improvised libe against the tones and then each other.
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for Solstice, lap steel and pure data oscillations.
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lap steel improv. captured in a Pure Data patch effect. Piece of slate incorporated in the recording.
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created in Pure Data with 3 oscillators and 2 noise generators with envelopes.
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series of events in thought in this piece for lap steel guitar and oscillators.
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Something different. This piece of music was initially notated out 32 bars and later submitted to an electronic music making process by Paul H Muller utilizing a Perl script and some other processes detalled at this link below. The program running…read more
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continuing to work with a Pure Data patch I have been tweaking for various compositions. This one closest to total synth though includes two naturally played loops on guitar converted to midi data.
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lap steel and Pure Data oscillator tones.
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created with midi guitar and pure data.
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created with Pure Data and midi guitar
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Modernist avant garde NYC based composer/musician Glenn Branca passed away earlier this week. This fretless guitar functioning as a midi controller driving a 4 voice synth patch created in Pure Data is with him in mind.
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real time oscillator improvisation using patch created in Pure Data Extended, working with changing tones from 330 hz through 590 hz increasing and decreasing by 30.
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Originally a synth composition by William Newbold of this community. I took a section and reprocessed, remixed in a Pure Data patch that I created to work with these ideas fusing oscillators, noise and Bill's piece.
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fretless guitar and Mobius interactive
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Improvisation of the traditional hymn popularized in the secular by late John Fahey and before Joseph Spence I think. Did this for this weekends Sound-In event and initially inspired by a hymn Paul Muller did. I did lap steel and looping in…
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pulled out a violin after not using for several months. A 5 string that only had two lows and a treble strings tonight. Processed using Mobius looping.
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Started out looping one feeling in mind but what ended and I remixed in Mobius feels like Twin Peaks!
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for a themed Sound-In featuring use of piano. Samples and guitar looped in Mobius.
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Fretless guitar using Mobius looper.
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another rhythmic looping piece playing on a mechanical fill but human. Fretless guitar and using Loopy.
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another from the 3.31.18 NinJam. Ray Istorico electronic drums and me fretless guitar.
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A Ninjam session this afternoon with long time friend and collaborator both in person and for last few years over the internet, Ray Istorico on e-drums and percussion. Me fretless guitar.
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6 tracks in Loopy. Feels very old in style and thinking early days of electronic music.
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quick improv, painting in Loopy on lap steel and post edits
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A very free interpretation of the traditional She Moved Through the Fair. I've played this a few times on guitar but I was thinking of doing something with it on lap steel which is occupying most of my playing interest these days. This version…read more
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for this weekend's Sound-In.
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fretless and Mobius processing
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fretless improvisation of 3 parts. Maybe use couple parts on my RPM release.
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ambient lap steel piece that is going to be part of my RPM release this year.
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lap steel which it and most of the trax done this month are going to be part of my RPM18 record. This is a mix of real time played, captured in Mobius and manipulated. Using Reaper/Mobius..
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lap steel improv and processing
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Another in my ambient lap steel work that I think is going to be my 2018 RPM record. Currently this is for this weekends Sound-In.
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For our Atonal theme and probably for my RPM Feb record this year.
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Another lap steel thinking of bit of Brian Eno and tuned the lap steel in a low tuning with odd interval on top.
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Lap steel improv with reverb from iOS AUFX:SPACE app. Improvised to post in this weekend's Sound-In.org event with the theme Sketch.
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violin and altered steel
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3 tracks of violin, heavy wash
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4 tracks of violin, heavy wash
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From the Jan 14 return NinJam set with good friend and long time collaborator e-drummer/percussionist Ray Istorico, a dense guitar/drums out of the fog piece.
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last 11.30 min of our NinJam today, e-drums/percussion Ray Istorico and myself. I started to break this up but it felt like a story that would be incomplete if I did. Thanks for listening.
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another track from the Jan 14 NinJam with drummer/e-percussionist extraordinaire Ray Istorico.
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Collaborating with Ray Istorico again via NinJam, our first session in couple years.
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fretless guitar improv playing through Jonatan Lyjerdahl's AUFX:SPACE ios app.
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Fretless guitar improv with resonator effect - thinking Andy Summers moments.
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violin sending midi data and converted to frequency via Pure Data patch, stretched in post. Happy New Year all!
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Remix of a solo improv by Paul Mimlitsch. Added violin improv by me in response to listening to Paul's work, then remixed including two pieces by Swedish composer Roger Sundström.
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Environmental and noise scape.
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Processed violin with Cassette efx in the AUFX:DUB ios app.
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lose violin and loop spin on the traditional Holly and the Ivy
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Violin loop and improv with Christmas in mind in a kind of ancient way
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Stretched low violin improv
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A fretless improv I asked percussionist and on going callab buddy Ray Istorico to contribute to, bringing in wave drum and various other percussive artifax.
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solo violin over a loop
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violin recorded and manipulated in Echo Pad app.
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solo fretless guitar improvisation, couple edits
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solo violin and loop using Echo Pad for iPad
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Remix of Sound-In.org works from Dec 8 & 9 featuring James Bailey, Paul Mimlitsch, Roger Sundström and Jim Goodin.
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solo violin improv with 2 processed tracks
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remix of works by J C Combs, Paul H Muller and Bill Newbold of the Sound-In community.
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remix of work by Kavin Allenson and Shane W Cadman from the Sound-In community at Sound-in.org.
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violin trax remixed in Pure Data patch
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3 parts violin
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An earlier noisy violin track with new contributions by drum/sound artist Ray Istorico.
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another piece composed using Python and the Jythonmusic environment. Sort of thinking composition.
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A piece totally conceived and produced with code using Python and JythonMusic. In post I did playback and captured using Pure Data.
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some lap steel processed
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processed violin in Pure Data
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Violin improv through Audio EFDub by Jonatan Lyjerdahl.
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flute sounds manipulated in Pure Data patch.
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a foundation of three piano sample notes generated in Garageband then imported, manipulated and mixed in a Pure Data patch I wrote for the express purpose.
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2 improvised flute parts and processed using the stretching plugin Paul Stretch.
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3 sampled piano notes, played and mixed in Pure Data patch
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I created this live in the Oscillator Noise app by Jonatan Liljedahl and manipulated in his Efx Dub app. Contribution to this weekends Sound-In Halloween event.
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Processed violin with samples in Pure Data
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Violin improv, 2 loops. Recorded and processed live in Pure Data.
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Guitar piece - improvised and manipulated in Pure Data patch I wrote.
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mix of samples - my native flute, Mike Ambs blue whale environmental recording, Bruno Lefevre piano sample from Freesound.org. Remixed in Pure Data patch and Audacity.
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Looping chant noise created in pure data.
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lapsteel played and manipulated in a Pure Data patch.
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mostly lapsteel played interactively in Pure Data patch. In final mix added some clarinet at end.
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Native flutes and clarinet, processed in Pure Data
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lap steel, recorded voice samples of JC Combs, effects, processed live in Pure Data programming.
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clarinet and live and loops created interactively in Pure Data
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inspired by the work of painter and musician Bill Newbold.
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lap steel and clarinet
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mix of anxieties, live clarinet, samples, manipulations, spoken word
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clarinet and spoken voice
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Manipulated Lap Steel and Pure Data oscillations
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another clarinet and pure data oscillators
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overdriven clarinet and oscillations constructed/recorded in a Pure Data patch. In celebration of John Cage.
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acoustic improv for SoundIn event soundin.org.
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altered lap steel
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Segments recorded and remixed manipulated in Pure Data patch of mine.
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lap steel and more variance in a pure data patch (pure data is the open source free version of Max)
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lap steel improve and some PD efx
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Looping voice improv while traveling
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a mash of 3 video tracks of musician Bill Newbold
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lap steel and iOS efx
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minimal lap steel and efx
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lap steel, efx from iOS JamUP and emotions from witnessing two punks last night toss a glass bottle in to the street without regard to life or limb. Thankfully nobody passing at moment.
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A new project of thinking about writing for 4 guitars as in same feeling as a string quartet. This is one of two recent pieces. The initial idea was thought and recorded then the other parts were improvised one at a time from that. All performed…
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This is continuing of my new ideas for guitar quartet. This was my first piece done all on fretless. The initial idea, melody was thought out and recorded then the other 3 tracks were improvised off that. The idea of the sound and feel is akin…
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fretless guitar improv with some delay, made through Pure Data.
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A collaboration between drummer Ray Istorico and myself. Manipulated a lot and included a pub domain JFK speech that I think is okay here, we'll see.
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lots of distortion and frequency
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This is for the dear departed Allan Holdsworth who passed away last Sunday. He was amazing. This is merely to capture a hint of his spirit and thoughts about listening to several periods of him this week. I particularly like the Bill Bruford…
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I'd say one of the first true noise pieces I've made. Done with fretless guitar feeding through amp looping efx with the iOS ADelay2 app.
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2 guitar pieces mashed together
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Created from segments in my Pure Data iPhone app hosted by Daniel IGlasia's MobuPhat. I put this together few weeks. While enjoying a cheeseburger with b-que and onions at a local diner, put this together.
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A collaboration with composer/drum set artist Joseph Benzola. This is from his original solo drum set improv and I added violin and efx. With our friend Jimmy Ross in mind.
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a drum set composition and performance by Joseph Benzola, from his Facebook video series.
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one of two oud improvs with efx losing improvising on a Makam scale
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two of two oud improvs with efx losing improvising on a Makam scale
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An ambient work by Canadian composer, improvisational artist James Bailey. This work was posted to our weekend Sound In/ImprovFriday event and I am hosting for him here on AT.
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hybrid acoustic slide piece
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fissure in the earth or vast differences in people and thought . oud with delay.
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Oud improv
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