kind of a ghostly field of Irish on an Egyptian Oud in some kind of hybrid tuning.

Saint Patty's in Istanbul

name sort of says. Oud played live and sampled and cut up. Production piece for improvFridaySaturday

kind of like the tide going out visually. Same recorded samples as Bell Tolls but different mix.

lap steel samples altered in Pure Data

oud and looping in Pure Data

A mash created with Kavin/Breaking Light's Tin Can Dream Home from this weekends Sound-In event. I took a solo lap steel improv, mashed with Kavin's and manipulated both.

lap steel and processing in home grown looper/sampler created in Pure Data

4 tracks played live one at time. Then imported in to Pure Data sampler, slowed and mixed live some reversed.

violin improvisation processed with Audacity Paulstretch.

Pure Data looping piece. Title from Greek Mythology.

for a themed Sound-In event this weekend at Sound-In.org. The short loops were improvised live in a Pure Data creation then mixed.

3 violins sampled and mixed in Pure Data.

made with Pure Data patch of analog violin samples and 2 wave tones.

another piece with real time violin sending midi data intercepted by an oscillator and envelopes in the Pure Data program environment.

guitar. midi convert to audio oscillator with envelope filtering. created with guitar and pure data (visual programming environment).

done multi-track midi'd guitar, FM synth, pure data.

Another piece done with Midi patches in Pure Data communicating with FM synth from 80's TX81Z.

Well no strings here. An enhanced Pure Data patch originally created by Rafael Hernandez and embellished by me. I'm using an 80's Yamaha FM tone synth so very old sounds here and controlling from the keyboard of the computer in the patch, playing…

from an improvisation capturing in live looping, then manipulated stretching and cutting apart mastering from Audacity.