as kind of like in a cave wall in other times. Electric 5-string violin with efx and recording through iPad Amplfitude app.

I improvised this piece a few days ago utilizing electric violin midi'd to a Yamaha FM module, looping in Loopy HD/iOS. A new friend I know from my biking adventures, Henry Reid Carter, responded to it and did a remix embellishing with processing…

violin controller to Yamaha synth in Loopy HD

a violin piece done in Loopy HD for iOS

6 tracks of forward reverse guitar in Loopy HD.

Controlling an 80's Yamaha FB01 synth with a violin through a Sonuus G2M converter. 3 tracks.

picked up the guitar...

violin, delay, trax

Violin through Yamaha FB-01 synth

violin ran in to a midi converter in to an 80's FM tone generator in other words old stuff.

another solo oud improv

inspired by a piece by Roger "ErocNet" Sundstrüm.

an actual acoustic piece though the violin is electric :). 5 tracks captured in Loopy HD and mixed. Some audio artifacts of low signal to noise here.

using 500, 530, 560 and 590 hz sines played in taps with a widget panel in csound. processed in audacity with much PaulStretch.

found sounds randomly played on a 'bicycle' captured in iOS Loopy HD.

I'm continuing to work with computer generated tone waves, recently using csound, a programming environment in the c language. I generally generate a file and post manipulate in a DAW as was the case here.

a response to an improv piece posted on Sound-In this evening by Lydia Lowery Busier and Dov Michael Schiller. I found out how to a panning effect in the foundational tones of my sine tone piece mantra for Tucson and did this remix.

more experiments with composing with sine tones in c Sound. using 480 and 460 cycle tones and voice. As I say in the title this is a matra for my head for an upcoming biking event in Tucson.

Another one in my computer generated compositions using 100, 140, 180, 200, 240, 260, 280 and 300 hz sine tones chosen at random, later pieced together in Audacity and looped.

Another computer generated composition largely created using Csound, an audio programming environment built in the c language by Barry Vercoe in the mid-80's at MIT. I've recently been experimenting with it creating synthesis sounds. This piece…