the lead synth line is 1/8 beat longer than other measures. It repeats 3 times at 8/8 and then the last one 9/8, which causes the lead to sound slightly more varied throughout the track. it starts a little later each time..

welcome back to the singularity!

Warning: silliness ahead! alloy (along with this months issue of MusicTech) got me into the creative possibility of gate and pitch shifting effects so I spent a happy morning playing with Logic's noise gate, vocal shifter, and ring shifter…

Warning: silliness ahead! alloy (along with this months issue of MusicTech) got me into the creative possibility of gate and pitch shifting effects so I spent a happy morning playing with Logic's noise gate, vocal shifter, and ring shifter…

i think its just a guy thing?

This is another old melody. I dusted it off, gave it some clean clothes, and sent it off into the world.

There is always hope.

An Etta Baker (1913-2006) tune.

For the RPMC Whale Challenge. All sounds guitar. An experiment with Audacity and using Macbook internal mic for room mic.

My evening challenge: compose and record a piece in an evening. Song titles will reflect the time of day when the day's light slips into the darkness of night.