about a circus that self destructs and the damage left in it's wake. Yes, it's a weird and/or dark subject but as the lyrics are unintelligible it probably won't upset anybody.

One of MNCC's few songs with lyrics that can be recognized as english. Plus, it's a true story (even if it is about 2 different people) and it's got a Simpson's reference.

instrumental. samples courtesy of Major Dust. Another old song. Written in 1990, recorded 8 years later.

this one almost didn't make it on. Used to like it, but now, not so much.

It's ALL bass, and one ocarina track. And a gong. And a radio broadcast from Saudi Arabia from Desert Storm (the first time we went over). So I guess it's not ALL bass. It's MOSTLY bass.

The film was supposed to be dark and disturbing, something about a man who works in an antique shop who thinks a mannequin is making him kill people. Or maybe the mannequin really was making him kill people. I don't know, it was hard to tell from…

these first two songs were recorded, along with two others, as a soundtrack for a film tentatively called "Soul Destroyer". See more notes under"black ceasar".

Publicado bajo autorizacion y sin animo de lucro . www.carranga.org

Each time I sit down to learn something about Logic, I end up getting distracted and creating some kind of track... This one uses EFM1 -> Delay Designer -> Live Cut Some drums through similar craziness and finally me playing some pads and…

I name each instrument track that I lay down when creating a song. Sometimes it's simple, like "Bass" or "Drum Kit," but sometimes I get creative. "Breath of Men" was the name of one of the synth tracks on this song, and I ended up naming the…

I got the impression when listening to this piece of moving towards an infinitely distant horizon, with an orange sun having just set behind it.

This is the second movement of my Sonata-Fantasie No. 1

Here is another remix. A surprise for Sudara when he wakes up tomorrow.

Inspired by a gorgeous recording on a wax cylinder by the composer, Tanburi Cemil Bey (1873-1916). Performed on politiki lyra (classic kemençe), a small bowed fiddle from Istanbul. Recorded at The Banff Centre, November 2008.

Everybody hates waiting. Some more than others.