This one was written after coming home in the harsh light of being out all night after learning someone I knew put a shotgun in his mouth and pulled the trigger. I write this from his perspective... 'Nuff said.

Probably one of my better gtr riffs/rhythm parts in those days. The song is always borderline going off the tracks...but it was fun to play live.

The close friend of mine who helped engineer this session said my gtr sounded like a swarm of angry bees. That's the best compliment I can think of. This was a mayhem producer when played live. I barely was able to keep it together in the studio…

This one is a classic case of "Chasing The Demo". In other words, I am not happy with it. The demo versions had a ton more feel and groove. This one sounds rushed and doesn't do the song justice. Oh well, such is life when you are on a budget…

This song was written long before it was recorded, though it stayed pretty much the same from day one of its creation until the studio about 4 years later. My favorite part is my guitar riffs near the end. My least favorite part is my crappy singing.

This song went through multiple iterations before coming out like this. It was a great song to play live. Did anyone catch the tip of the hat to "Fire and Rain" at the very end of the song?

That twanging sound at the beginning of the song is me putting my acoustic through an amp with all knobs on 10. Acoustics feedback at 440mhz, which is an A note. The song is in A. It kind of sounds like a high tension electrical wire.

First take guitar part that I just liked the feeling of, which sounds a bit like a haunting version of Jeff Buckley's 'Hallelujah'.

Beat created from different strokes on an electric guitar, which is probably of no suprise. Pretty simple arrangement but a fairly strong melancholy-pop song.

The only song I ever wrote about an actual person I knew. She's heard it and she now sings all corny and gets the words wrong.

called this track 'dirty awakenings' because it sounds like dirty awakenings.

A gritty street anthem featuring Bugzee.

A ballad about the perils of life. Featuring Bugzee & Tragic

Recorded August 28, 2009 Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge. After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…

This is the audio version of my blacksmithing lesson which can be found at http://ironangelforge.blogspot.com/ This webcast covers more detail on the blacksmith's forge.

Claudio Nuñez was born in Buenos Aires in 1959. He studied classical guitar during the 70s, composition with Hilda Dianda and obtained a choral conductor degree in 1980. Claudio lived in the USA between 1981 and 2004. He has released 7 CDs…