Probably one of my better gtr riffs/rhythm parts in those days. The song is always borderline going off the tracks...but it was fun to play live.

The close friend of mine who helped engineer this session said my gtr sounded like a swarm of angry bees. That's the best compliment I can think of. This was a mayhem producer when played live. I barely was able to keep it together in the studio…

This one is a classic case of "Chasing The Demo". In other words, I am not happy with it. The demo versions had a ton more feel and groove. This one sounds rushed and doesn't do the song justice. Oh well, such is life when you are on a budget…

This song was written long before it was recorded, though it stayed pretty much the same from day one of its creation until the studio about 4 years later. My favorite part is my guitar riffs near the end. My least favorite part is my crappy singing.

The only song I ever wrote about an actual person I knew. She's heard it and she now sings all corny and gets the words wrong.

called this track 'dirty awakenings' because it sounds like dirty awakenings.

A gritty street anthem featuring Bugzee.

Uncle Bobo needs his keys back, and he has a reward for the first person who finds them!

Claudio Nuñez was born in Buenos Aires in 1959. He studied classical guitar during the 70s, composition with Hilda Dianda and obtained a choral conductor degree in 1980. Claudio lived in the USA between 1981 and 2004. He has released 7 CDs…

A field recording of multiple boomboxes playing doctored field recordings of Baltimore's Inner Harbor, played back at the Inner Harbor.

Another Blacksmith Lesson, this time with intro musics! This episode explains how to build a coal forge out of a plastic bucket and some cat litter. All of the written lessons, along with pictures to illustrate some of the lessons, can be found…

The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…

It's the "do no harm" mix. Because, theoretically you won't hear any difference between this and "technique 43". Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…

Written and Recorded August 29, 2009 Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge. Late night improvisation in remembrance of my father.

a song about a beautiful woman who loves guitars and being happy :D

Written and Recorded August 29, 2009 Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge. I can't hide the fact that I've listened to Pierre Bensusan. Or that I've longed to return to Paris.