(Lennon/McCartney) - from the Beatles album 'Revolver'. This was my first Beatlesfest entry for Songcrafters.

layers and layers of ambish sounds

Piano versus vibraphone in Expedition1....just because you can with the click of a mouse change the feel!

A nice acoustic/finger picking progression I wrote late one night

A different arrangement of the Leonard Cohen classic, faster tempo with slide lead

frags delivered me a ratata soundwav and this came out.... Another track from the BackvieW playlist

Sega Megadrive, YM2612, sox, AWK, reverb.

this is the lesser quality from the tape direct records to the computer. here the excerpt was realeased before and is not included in this release. the notes will be put up in my google documents for now. https://docs.google.com/document/edit…

the thoughts and theory for this piece is described here...in the eee blog i am working on/with. http://notonlymusic.com/wp/eeeblog/2010/10/19/ambish-sonds-for-eee/

drony guitar + max/msp

Weird new song

All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.

Dubbing on Nymphenburg Palace.

This dreamy, meditative ambient track was inspired by Claude Debussy's piano prelude "Danseuses de Delphes".

This song was inspired by a sample made by Sandbags (Neurotic beat 5) heard in the beginning (and throughout the piece). Thank you Matt! Now even better, brighter and more beautiful.

Out on the lawn there arose such a clatter! Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…

I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long. This is using the Garritan Personal Orchestra sample set. 2 organs, piano, flute, bassoon.