Originally recorded in 2007 for my Highway 34 Revisited album, this track got a heavy-duty remix treatment for inclusion as a bonus track on Three.

This is where "66 (The Mother Road)" began; the rest of the suite was composed around it.

Another idea for Three that never quite took off, but I liked it too much to just toss it in the bin.

An ambient/minimalist track that emerged along the way in the production of Three.

An improvisation on six instruments by one person. (Not all at once... despite the title.) This was originally recorded back in February for the RPM Challenge; remixed here for the album Three.

I started out trying to record a jazz fusion tune. Not quite sure what I ended up with. This 8-minute track was entirely composed, recorded, mixed and mastered within a 15-hour period on September 27, 2010 and is the final track for my 3-track…

I'm preparing "66" and "222" to be part of a new album (along with one additional, yet-to-be-recorded extended composition). Part of the process involved going back to the original project and remixing, adjusting EQ, etc. Compare this version…

This is where the adventure began: the unaccompanied electric piano part I recorded first.

Not an upright bass or, if you prefer, bass viol. This is two instruments: electric bass and bass clarinet. Not electric bass clarinet.

This is what the music majors do in their spare time. Electric piano, bass clarinet and djembe.

Guitar and bass.

This time around it's the unique combination of bass clarinet and Bebot, the iPhone synthesizer.

That's as in Metheny and Mays, of course. And they I am not. But I still give it a go. These are the first two instrument tracks I recorded in this improv extravaganza: electric piano and electric guitar.

Unaccompanied Bebot. What is Bebot, you ask? It's an iPhone app, and a great one at that!

This is track 8 of 8 from my RPM project, 222: Improvisations for 6 Instruments. I recorded an 8:38 improvisation on six instruments, and then deconstructed it into 8 separate tracks featuring subsets of those instruments. This is the track that…

If you prefer the whole 21 minutes in one big chunk, here it is.

Part ten of the ten-part suite. The tracks segue continuously, so downloading them all and listening to them together is the intended experience. Thanks for checking it out!

Part nine of the ten-part suite. The tracks segue continuously, so downloading them all and listening to them together is the intended experience. Thanks for checking it out!

Part eight of the ten-part suite. The tracks segue continuously, so downloading them all and listening to them together is the intended experience. Thanks for checking it out!

Part seven of the ten-part suite. The tracks segue continuously, so downloading them all and listening to them together is the intended experience. Thanks for checking it out!