Song by Tangmo. The one track written for my ill-fated RPM'08 attempt.

Written by Tom Bordenkircher and Tangmo. Bar-room to Courtroom in just over 2 minutes.

Written by Tangmo and Jay P. Lindsey with additonal vocals from Trevitte Brown and Karl Cutruff.

Written by Tangmo in a fit of MOR'dom.

Song written and performed by Phil Close and Tangmo.

Song written by Tangmo. Additional instruments by Jay Lindsey. Inspired by a more-or-less true story concerning that storm known as Katrina

At last, my secret is out. What I really want to be is a Jazz composer. ;)

Instrumental. Not as angry as the title sounds. ;)

Another instrumental "bonus". Sort of a tribute to Danny Elfman, whose soundtracks I'd been listening to quite a bit at the time.

An instrumental "bonus" track for the official release of the album "Thou Shalt".

This song was honored by peers at RPM in '07 by being voted into inclusion on an all-RPM compiliation originally intended for HEAR! music. The lyric is about the inevitability of bad times. It's good to live optimistically, but let's face it…

This track replaced the one in this position which was on the orginal RPM album. Based on some tales from real-life Houston Bail-bondsman (and frequent collaborator) Jay Lindsey.

I co-wrote the lyric with Bill Liggett, and the music with Michael Kardoff. Don't do business with Ms. Calamari.

Additional instruments and arrangements by Thom Polimeros.

Thou Shalt not Kill. Stripped down Tangmo.

Everybody loves the Good old Days. Instrumental and production help from Phil Close

Instrumental assists from Michael Kardos, overall arrangement by Phil Close, additional vocals from Lee Cusenbary. Envisioned as a cheesy Costa Rican Tourist Board jingle framing a love song.

Don't call me the dog's name.

With Phil Close on multiple instruments/production. A song mainly about my disrepect for celebrity culture.

The Intro track for my/our RPM '07 album.