One of a few pieces composed on a battery operated toy keyboard that I nicknamed the Powersockey, due to the fact that the power socket was labeled that.

So-named because it was a last minute addition to the album. I wish I could remember what effects I put on the accordion track to make it almost sound more like a synthesized sitar.

One of a few songs on the album where the percussion is a loop of myself hitting my computer desk with my hands. I think I got a nice hypnotic vibe going with this one.

As you can probably tell, I had a lot of fun with gratuitous panning and weird vocal effects on this album.

based on the "clique" project first introduced in a long lost forum post on the RPM Challenge forums, the rules were to record a track that was in relation/response to the previous track before it. performers were: jazzsequence, Pugilistas, The…

our 2010 entry for the RPM Challenge. members included: Minibar Madness - sound effects & noise, Commoner - Amplifier worship, pedals, electrical guitar, The Chaos Council - MicroMoog , alto sax, effects, Tone the Destroyer - violin &…

the method was to record a percussive track (or not) at 110 bpm. it was not required that your track be percussive, but if it was, it needed to be 110 bpm. participants included jazzsequence, Pugilistas and project was orchestrated by The Chaos…

I was pretty much trying to be The Field with this one.

This just stemmed from deliberately trying to make a drum loop as distorted and ugly-sounding as possible. Violik from The Tapeworm Collective contributed the dubby bass and some strange noises.

Composed in digital performer for a course in computer music. Some of the presets reminded me of Kraftwerk, so I thought I'd attempt something in that style. "The doom house" was my sister's nickname for her place of residence at the time.