Quetzalcoatlus

This is actually another melodica-based track, you just can’t tell due to excessive pitch-shifting.

Dan Deacon has a piece called “Drinking Out Of Cups” where he put a TV on mute and reacted to everything he saw as though he were a tough guy from New Jersey. I thought I’d do something similar, then use it as a sample source.

There is no Murdercat I, I just like titling songs as though they were horror b-movies. “Feline Doom” was an autocorrect for “Celine Dion” though.

The subtitle is because years earlier I did a totally different piece called “Ann (OMG)”.

Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I’ve really messed with using the internal mics on the H4N in multitrack mode

This was made with the help of the dinosaur-obsessed Laura Turner who wrote the lyrics, and Chris Harrison who played the blistering guitar solo \m/

Fun with melodica loops. Title taken from a machine-translated Japanese Pizza Hut website.

This is the full version of the “crowd chatter” sound collage I used as the intro to “Shut Up, Thanks” - the track consists of several sped up tracks of a text to speech program reciting nonsense layered over each other.

Hanging on my closet, I have a sticker for Narraganset beer and a mock-road-sign reading “Dystopia” with an arrow pointing both directions. The juxtaposition was unintentional, but I decided I liked it.

Hanging on my closet, I have a sticker for Narraganset beer and a mock-road-sign reading “Dystopia” with an arrow pointing both directions. The juxtaposition was unintentional, but I decided I liked it.

An unlicensed Castlevania knockoff rush-released in 1986, Demon Fate Nosferatu Castle is now chiefly remembered for its extremely repetitive soundtrack, a short theme that would be looped continuously throughout gameplay. An urban legend had it that those who played the game (or were otherwise…read more

“Fake Evil’ was a working title that ended up becoming the real title - the reasoning was that the music was too over-the-top to actually be ominous. The vocals are bits of "Microwave” run backwards, put through a heavy amount of echo and reverb, then reversed again, so that the echoes are heard…read more

For whatever reason, I was testing my microphone with the television going on in the background, and a bit of clearly audible dialogue (“all right, get in line”) ended up at the end of my test recording. I don’t believe in mistakes, especially when it comes to RPM albums, so I incorporated it…read more