Jason H. Austin

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Remix of the earlier piece. Done in Pure Data 4-part oscillations and 2-part violins. For Sound-In and February.
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Mini-Moog through EHX Stereo Memory Man and ZOOM RFX-300. Title was inspired by the shape of the over-all visual shape of the piece. Recorded for Sound-In 7-9/2/2019.
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Mini-Moog through EHX Stereo Memory Man and ZOOM RFX-300. Title was inspired by the shape of the over-all visual shape of the piece. Recorded for Sound-In 7-9/2/2019.
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The Pursuit is a composition in AA’B form combining electronica and pseudo musique concrète by using a 17 edo guitar with effects, voice, and synthesizers.
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I pretty much kill this one, though it was a lot of fun to tackle. I approached this as a 3 piece band cover, that is drums via a Simmons SDMP-1 drum pad, bass, guitarist / vocalist. John Wetton's vocals were a bit too high for me to sustain so…read more
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worked this one thru this morning at about 4am :)
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worked this out some... it is nice I guess.. enjoy ;)
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Don't believe what he told you
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You have been lied to. HE is Whitelight, not me.
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newbold's avatar
newbold said

the bounce is perfect then … it gets better..–

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vaisvil said

cool evolution of space!

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newbold said

This is like what I am talking about when I say — damn that “is” intense –

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newbold said

excellent here.. very good..

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https://youtu.be/Ku0jUv8C8Pk
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fudgetusk said

I’m digging this. How did you Satan to do the vocals?

Jason H. Austin's avatar

i write and play all the parts to the thingys i post here unless otherwise specified as some sort of colab or remix dealio.i use carvin guitars,mesa rectifier heads and cabs and seymore duncan pickups.for the drums i use a roland td30k to trigger steven slate drums.carvin 5 string bass direct.all recorded into reason 10 using magnetized veridium coated Bio-mimetic gel and Verterium cortenide, a synthetically generated compound, the only known substance to be capable of generating warp fields, when supplied with energy, in form of plasma.

from north idaho, US

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