vaisvil

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Latest Music

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this is just an experiment using inserts in my audio interface to route pre-recorded tracks to guitar pedals.
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two 17 edo guitars, drums, and vocals - all preformed.
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two guitar tracks, a touch of reverb.
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17 edo guitars and percussion
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linnstrument equator 2 beatweeker si-drums effects
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from this song --- in the beingness of three set 2 https://soundcloud.com/h92o/in-the-beingness-of-three-02
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For a friend Squier strat>ebow
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Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.
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first one for 2021 Squier strat>Boss SY-1>Panda Particle>DL4>ebow
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from this song --- in the beingness of three set 2 https://soundcloud.com/h92o/in-the-beingness-of-three-02
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kavin.'s avatar
For a friend Squier strat>ebow
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trawnajim's avatar
Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.
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Breaking Light's avatar
a typical BL track, with a jam track at the end!
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Latest Comments

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two guitar tracks, a touch of reverb.
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Newbold's avatar
Newbold said

nice a Fripp type progressions in 17 edo greatness.

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Equator 2 played with a Linnstrument
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Breaking Light's avatar
Breaking Light said

Unique and inspiring!

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vocal, two 17 equal electric guitars, faux 17 edo bass, melodyne retuned 17 equal classical guitar, Alesis Nitro Mesh drums. and the usual effects and manipulations.
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Newbold's avatar
Newbold said

nice 0-0 the song makes a discernment of itself as well-

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just me on guitar
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Colleen Dillon's avatar
Colleen Dillon said

Yummy!!! Don’t cut it!

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just me on guitar
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spacehoers's avatar
spacehoers said

I need to start practicing guitar more.

vaisvil's avatar

The question of how microtonality is perceived and why is a hotly debated one. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. 12 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can’t play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

from I think it would be a good idea. Mahatma Gandhi, when asked what he thought of Western civilization, AQ

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