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Besides you I'm the first person to hear this.. if I'm reading the status correctly. Thanks for putting that there 😁. You're using the live effects 👍🏻 nicely 😄.. my heart goes to the federal employees people that lost their jobs because they just didn't have job security and had not worked long enough to not be fired 😕. Gosh I am starting to get scared about complaining of the madness 😭.. peace ✌🏻🕊️
Frequency modulation frequencies may be interesting to see what you have and listen to it is maybe a four oscillator task.. everything I noticed is usually a oscillator modulated another oscillator depending on routings that third oscillator modulated each of the other two oscillators in parallel or together in series.. the fourth oscillator would need multiple switches to work and choose from for the configuration then the task is to listen to hear what way is the sound that is needed.. I am not sure if that makes sense??
The question of how microtonality is perceived and why is a hotly debated one. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. 12 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can’t play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
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