vaisvil

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Latest Music

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For piano, string orchestra, french horns, piccolo, and orchestral percussion
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Another track from my album Strange Beauty
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Two tracks recorded with my bohlen-pierce travel guitar in cubasis on an ipad using Zoom UAC-2 interface and ammooon wireless set. Reverb is cubasis default.
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three guitar tracks with sy-300 and samples with effects.
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Music for a video for sound-in Celtic harp vs feedback guitar. Go figure
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Recently Listened To

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Conflict of Spirit Just a conflict of spirit Just a conflict of spirit Just a conflict of spirit You can't escape yourself Just a conflict of spirit! This…
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Fear In Our World There's changes in our world There's changes all the time And I get to see like you They all won this time! There's fear in our world…
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This Room Me, I try to see, out of the confines of this room. This room, has no windows, four blank walls, a ceiling and…
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Remastered from 4 track circa 1987. The backing track was shoved into one track (drum machine, casio CZ-101 synthesizer bass, rythmn guitar) - the vocals are buried because I wrote a song that was way way too high for my range. The backwards-ness…
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Untitled Instrumental (A Little Guitar) As it sounds, two clean, one fuzz guitar. I did write this with you in mind! It echos some of my earliest tapes also. ____________
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Recent Favorites

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Dulcimer, cassette tape loops, analog delay (tape/reverse). Created for Sound-In Event Cassette Album.
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oil can guitar, AMIGA1200 / kawol samarqandi recorded and edited by kawol at 432den November 11, 2020
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Source: Keyboard
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Latest Comments

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Dead to the World Just a shade A specter, a ghost No place amongst the society of perfect being! Dead to the World Alien, unwanted Not here, unseen Untagged, uncounted Lost, unwanted, despised, no home, no place, no Soul! Dead…
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Newbold said

incredible most incredible === it is like this sometimes.. yes-

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three guitar tracks with sy-300 and samples with effects.
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Newbold said

the end of this is best --- It just works in there--- the this type of buzz saw like noises OGM I love these things.. --- I get these when I tweak the supernova II and use the max feedback for digital delay and level maxed out with the time at like zero to 1 to two .. the smallest intervals for that .. it is greatness. these sounds.

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Two tracks recorded with my bohlen-pierce travel guitar in cubasis on an ipad using Zoom UAC-2 interface and ammooon wireless set. Reverb is cubasis default.
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Newbold's avatar
Newbold said

nice---

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Dead to the World Just a shade A specter, a ghost No place amongst the society of perfect being! Dead to the World Alien, unwanted Not here, unseen Untagged, uncounted Lost, unwanted, despised, no home, no place, no Soul! Dead…
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jimgoodinmusic said

Powerful and good groove, out of the dark much light!

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solo 17 edo guitar and effects
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Guest said

I like this

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The question of how microtonality is perceived and why is a hotly debated one. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. 12 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can’t play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

from I think it would be a good idea. Mahatma Gandhi, when asked what he thought of Western civilization, AQ

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