vaisvil

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layers of guitar
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19 edo - 3 tracks with guitar synth and drums
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I am playing the bass part at Mass so I though recording the bass and melody was a good way to brush up. Thanks to COVID its been a while. Yeah, some mistakes. But it never does me good to over do it.
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19 edo guitar, some effects, and trying to play through a hurting hand
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manipulated bowed glockenspiel
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A mash of tracks by James Bailey (Climbing the Rocky Path) and Jim Goodin (In Sine) for the Up! Sound-In weekly event. Mix by Kavin.
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The new album is almost done; after that I'm taking a long break. Feedback on my work has dropped off to basically nothing at this point (regardless of where I post it) and it's just starting to feel like the 'a tree falls in the forest...' thing.
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Reflective indigo groove with some summer strings & sensual sax. Written with John French https://edenshard.bandcamp.com/album/the-cobblepot-engine
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Brett Warren's avatar
The new album is almost done; after that I'm taking a long break. Feedback on my work has dropped off to basically nothing at this point (regardless of where I post it) and it's just starting to feel like the 'a tree falls in the forest...' thing.
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Sudara's avatar
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Logan F's avatar
Reflective indigo groove with some summer strings & sensual sax. Written with John French https://edenshard.bandcamp.com/album/the-cobblepot-engine
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coelocanth's avatar
Grackle Live Straw Drawing jam Mark C - Warr guitar Kavin. - percussion, fretless junk strat Mark W - 8 string guitar Scott - guitar Matt - kalimba
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layers of guitar
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jimgoodinmusic's avatar
jimgoodinmusic said

love the partial of the short loops - right down my present time of thought Chris.

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layers of guitar
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kavin.'s avatar
kavin. said

A guitar mantra!

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19 edo - 3 tracks with guitar synth and drums
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Newbold's avatar
Newbold said

really great --- such a wild blend of sounds-

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19 edo guitar, some effects, and trying to play through a hurting hand
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kavin.'s avatar
kavin. said

Sounding good! Hope that condition improves.

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solo 17 edo electric guitar
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Din's avatar
Din said

I actually like this, which is unusual for most microtonal music I listen to (sorry). Your guitar has very good tone, too.

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The question of how microtonality is perceived and why is a hotly debated one. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. 12 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can’t play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

from I think it would be a good idea. Mahatma Gandhi, when asked what he thought of Western civilization, AQ

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