vaisvil

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17 note per octave guitar + effects times four tracks paired with DJI mini 2 footage. The trees without leaves are cool to see from above. 1080p at 59.9 FPS https://youtu.be/RHvmzCkuDQw
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audio for a video
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All I had was a crappy shoe box cassette recorder when my piano teacher played a composition I had wrote. She sight read my score which is an amazing skill as far as I'm concerned. To me in this composition I’m aiming at somewhere between Ives…
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guitar and effects as disagreeable objects
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eh?
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This is far too long for anyone to listen to all the way through. But, then, that is the point isn't it.....
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oil can guitar / kawol samarqandi recorded and edited by kawol at 432den november 17, 2021
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This began with trawnajim's "Faraway Flies", which I slowed down a bit. Added hand percussion, synthesizers and voice. Constructed in Reaper.
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more of a mix with loops or repeats going on--
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boiled egg slicer, feedback
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Latest Comments

vaisvil's avatar
17 note per octave guitar + effects times four tracks paired with DJI mini 2 footage. The trees without leaves are cool to see from above. 1080p at 59.9 FPS https://youtu.be/RHvmzCkuDQw
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Colleen Dillon's avatar
Colleen Dillon said

Cool indeed!

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guitar and effects as disagreeable objects
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wobblybits's avatar
wobblybits said

No objection from me - this is beautiful.

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eh?
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Newbold said

So is there a video with this?? maybe? if there is no video that would be too bad--- excellent overall sounds :)

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Solo electric guitar through effects.
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Newbold said

greatness the effects all of it- that stuff at like minute 8:30 is neat --- what is that?

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Solo electric guitar through effects.
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spacehoers said

I often make music as the result of busy, frustrating days too. But it seems to be every day lately, and I just don't have the energy to make music right now...

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The question of how microtonality is perceived and why is a hotly debated one. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. 12 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can’t play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

from I think it would be a good idea. Mahatma Gandhi, when asked what he thought of Western civilization, AQ

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