vaisvil

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its falling
Chicago's Pilsen neighborhood street food
a long time ago I often collaborated with an immensely talented composer from France, Alister Flint - this is one of our collaborations. Been years since I've heard from him. He's been missed.
Desirea tells Reg the truth, love was just an illusion as she leaves him flat...
Mimlitsch, Kavin, Cadman
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a long time ago I often collaborated with an immensely talented composer from France, Alister Flint - this is one of our collaborations. Been years since I've heard from him. He's been missed.
icon from John Cheung http://www.onesunart.com/ There is an internet label called "SoOn" and this was the 2nd release - a collaboration between me and the guy doing the organ who…read more
A guitar instrumental with too much soloing and not enough melody. Thanks for listening.
It has long been the role of the troubadour to challenge and lampoon Authority through music. This is one such piece, written following a speech by the U.S. Secretary of Housing and Urban Development (HUD), in which he spoke of African slaves…read more
While wiring up a new FX processor in my studio I was messing around with this classic traditional sea shanty. Probably because at this time last week I was playing at the Harwich (UK) International Sea Shanty Festival. Anyway, while messing around…read more
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A guitar instrumental with too much soloing and not enough melody. Thanks for listening.
While wiring up a new FX processor in my studio I was messing around with this classic traditional sea shanty. Probably because at this time last week I was playing at the Harwich (UK) International Sea Shanty Festival. Anyway, while messing around…read more
At what point do you realise that I am not a man but am in fact a...
After several bottles of wine, thetworegs and I were able to coerce Elvis and a few others down in regs basement to come out for a long overdue collab. After all, isn't October collab month? Thanks again for the great vox!!
Who are you and why are you reading this? How dare you presume this is for YOU to read?!Go on, get a wriggle on. Off you go!
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its falling
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a long time ago I often collaborated with an immensely talented composer from France, Alister Flint - this is one of our collaborations. Been years since I've heard from him. He's been missed.
fudgetusk said

Astonishingly good.

a long time ago I often collaborated with an immensely talented composer from France, Alister Flint - this is one of our collaborations. Been years since I've heard from him. He's been missed.
thetworegs said

Excellent collab Chris with a taste of floyd in there

Desirea tells Reg the truth, love was just an illusion as she leaves him flat...
thetworegs said

excellent soundscaoe…..Poor old Reg

Desirea tells Reg the truth, love was just an illusion as she leaves him flat...
fudgetusk said

OOOOOOOH BOOOOOOO! WHO? YOUUUUUUUU! through.

The question of how microtonality is perceived and why is a hotly debated one. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. 12 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can’t play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.



from I think it would be a good idea. Mahatma Gandhi, when asked what he thought of Western civilization, AQ

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