And too young to die . Thought provoking, conscience pricking.
nice.. liking the brass .. going on.. --- it is fun to do things like this,, -
super spreading low synth.. can you ask AI where it comes from?
Love the layered lusciousness. Gorgeous.
Listening to this I can hear the C version that is in the drum beat.. there was so much in the C version that I was floored from the start,..now I am hearing the parts of C that I couldn’t focus on ,.. I think C is the best version but I am really glad you posted these too.
Really great,.. in the stranger type of music...oh excellent wow ...it’s tuning seems so profound, it’s the tuning maybe? That’s causing the strangeness to it,. That Just has a. Sideways effectiveness to it..
such a large sound it is starting with === nicely mixed.
Vaisvil (whoever you are!), if you ask Regs, he will quickly tell you that just because I left him doesn't mean he left me. And I still think about him once in awhile. Maybe I'll give him another call someday...
no less then intense ---!!
Way to be. This could be Fripp ... I think he would like this.. excellent... Touches.. when I saw the songs image above I was like this is not looking good but it is really good.. and the image totally through me off..
Chris thanks for including me and doing this. Sounds like Bela Lagosi off the top then drifts into echo's of Samuel Barber in places and very sophisticated orchestral. Great Job!
nice work with the knob twirls .. :) that would be a lot of what I did too.. :)
I found that depending on the preset the korg is set to and with controlling the korg with supernova II midi controls is awesome in that I can hear something change when I move a knob on the supernova ii but --- recording that and putting it into a different midi system is not like active changes in real time but or control between different systems is so cool have you tried that with kontact and the prophet?
WOW amazing sounds.
this is great.. --- wow really intense mix here.
it is great stuff.. === 10:10 the voice unidentified and yet ominous with the bending sounds ... that is what it is .. -19:30 is a neat neat sound besides the conversations going on. at 20:51 it stopped ? so I downloaded it ... and was able to get it to play again the feed just stopped? IDK but I could pick up where it stopped...
great work here..
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!
You get some great sounds out of the pedal!