1217 tracks by vaisvil
a long time ago I often collaborated with an immensely talented composer from France, Alister Flint - this is one of our collaborations. Been years since I've heard from him. He's been missed.
Desirea tells Reg the truth, love was just an illusion as she leaves him flat...
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4:10
For all those people who touch you in a way you can't forget even after many years.
3:05
Artist's description:
This is a hybrid/overdub performance piece and one of the few I play drums on. Each track was performed live into a PortaStudio 1 (Vocal / bass / guitar / lead guitar) and bounced with stereo image mix down to digital cassette…read more
I mumble, drums are loud, guitar and bass are wonky. Its too normal. But then somewhere there is an appetite for cheese. Perhaps in the heart of Wisconsin, but, actually, does Wisconsin have a heart or is it just an imitation mitten? A sort of…read more
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because tardigrades are cool and look a lot friendlier than Guild navigators
Tettigoniidae in Overtones is scored for two Audio Damage Quanta synthesizer, tamtam, two triangles, glockenspiel, snare drum, bass drum, two tamborines, plucked psaltery and french horn all in harmonic series tuning. The synthesizers are purposely…
3:39
On Growing Old by John Masefield
- an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
Be with me, Beauty, for the fire is dying;
My dog and I are old…read more
3:51
A cover of Pink Floyd's Welcome to the Machine in 17 notes per octave tuning
This needs Phantasm777 drums or Norm's percussion, sadly neither are likely to happen.
Apologies to Graham Nash
There I was at the immigration scene
Shining and feeling clean
Could it be a sin?
I got stopped by the immigration man
He says he doesn't know if he can.
Let me in
Let me in, immigration man,
Can I cross…read more
7:13
You Don’t Have to Say It is a 22 edo composition for rock band. Using my 22 edo electic guitar I used a Boss GP-10 to get the 12-string, a eletroharmonix pitch fork for the bass, and native instruments guitar rig for the lead guitar. The drums…read more
By using reverse engineering of the sound files fudgetusk uploaded I was able to render his synaptic pathways as he was creating said sound files into sound. So this is meta-fudgetusk.
It’s Hobbit tradition to give gifts to others on their birthdays. Here’s Tolkien on the subject: Receiving of gifts: this was an ancient…read more
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ambient guitar dedicated to fudgetusk, aural commentator extraordinaire.
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Realized by guitar (finger picked and ebow) with pedal chain of ernie ball volume pedal to chase bliss warped vinyl ji fi to strymon el capistan to boss giga delay to boss space echo to tc electonic mimiq recorded in sonar.
This an ambient solo 19 note per octave guitar performance and video interpretation.
The effects chain used was a Wampler Ego compressor, Ernie Ball volume pedal, Electro-Harmonix pitch fork polyphonic pitch shifter with expression pedal…read more
10:13
10:47
a beautiful sunrise (see video) and piano.
https://www.youtube.com/watch?v=x9m8icbJpoY
2:50
A cover of a Tull song from the album Benefit
- vocal and octave mandolin
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Stumble core all mandolin band
mandolin
octave mandolin
mandocello
7:09
3:53
A layered audio cake in Carlos Alpha and 12 Equal and Heaven knows what else.
I found a used octave mandolin for really nice price. Enjoying my new instrument.
5:10
Cover of B.S. Snowblind from Vol 4 w/o the pesky vocals in 19 edo.
an acoustic arrangement of Bill Newbold’s composition “mindless events beyond time” for piano, brass ensemble and percussion.
China
All the way to New York
I can feel the distance
getting close
You're right next to me
But I need an airplane
I can feel the distance
as you breathe
Sometimes
I think you want me to touch you
But how can I
when you build…read more
A rendering of Bill Newbold's midi performance
As an example, imagine that Alice and Bob are aboard spaceships moving inertially with a relative speed of 0.8c. At some point they pass right next to each other, and Alice defines the position…read more
7:44
Freestyle solo 19 edo guitar through a tube amp in 70's-ish blues rock style
A short solo piece using a Q49 key keyboard which is fairly true to life for a real clavicord.
4:09
! plum.scl
686/675 comma pump scale in 46et
12
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704.34783
834.78261
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1069.56522
1095.65217
1200.00000
The Chamber of 32 Doors
Genesis
The back story
At the top of the stairs he finds a chamber. It is almost a hemisphere with a great many doors all the way round its circumference. There is a large crowd, huddled in various groups. From the…read more
9:11
by turning pianoteq to about the mid point in the worn scale I found a new joy in playing - much like on a a real acoustic piano.
5:00
One of my favorite songs from The Lamb Lies Down on Broadway - which I pretty much destroy
12 string guitar, 6 string bass, lead and backing vocals
All the pumping's nearly over for my sweet heart.
This is the one for me,
Time to meet…read more
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15:13
photo of Chicago's Lake Shore Drive
Over a month of hourly time lapse (night edited out) with 17 note per octave ambient guitar accompaniment. This is probably the longest project I’ve set out to do. I left my time lapse camera in the kitchen window filming the tree in my backyard…read more
guitar duet
Sound provided by 17 equal guitar using Moog MF ring, Boss DA-2 adaptive distortion, Boss MO-2 Adaptive Overtone pedals and software effects.
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I found a new 8 string Dean electric guitar for less than half price at the salvation army store... how could I walk away?
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Bill plays my Futuresonus Parva long distance by the magic of midi. ![](http://api.ning.com/files/GSEtoFwls4v1YAuXvnhdGeWf7fn9R-vqH4xgK5KfzVYsWMEra1joA*NKXaISoY-*UKdpKGCiC3LAbPLmVq0yc**ue2Tguapj/slippery_thing.JPG")
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Ben Smith (piano), Paul Mimlitsch (processed bass clarinet), Paul Muller (strings…
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11:59
all tracks but for drums are made with the Moog Model 15 iPad app
read more
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electronic or something like it
