trawnajim
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One of those pieces that starts off short and simple, then after going through various modifications ends up like this. Original sounds are from a Roland SE-02 of a randomly varying repeated pattern; the mono sound file was copied exactly and…
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Straight outta Roland. The SE-02 to be precise. The result of a lot of knob-twiddling and switch-flipping. Two separate tracks spread 60%from centre each.
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Reverse trombone, no other effects. After listening to the piece as recorded, I couldn't help wondering what it would sound like if it were reversed; I need wonder no longer. Submitted to Sound-In for 25/3/ - 1/4/2021
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Combination of a test recording with clarinet, and an irregular beat sequence discovered on my Roland SE-02. The clarinet track was slowed slightly in order to match the time lengths of the two. Submitted to Sound-In for 11-18/3/2021, A Moment…
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Combination of my track As the Clouds Roll Away with Struk String Rambul by Coelocanth, both of which were submitted to Sound-In (as was this) for 4-11/3/2021. No alteration was made to either track before or after combining.
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I have mashed Shane Cadman and Chris Vaisvil and myself. this is a neat mix -- I took Shane Cadman's song here and then with Chris's mandolin work I stretched it out to match the length of Shane's Song as well as doing the same with two drum…
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Prophet 12 desk module and Minilogue XD
somewhat ambient leaning
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Recorded for Sound In, 17/03/17
Flute, EHX Stereo Memory Man
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Modifications of fireworks sounds. For Sound In, July 2nd, 2017.
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First attempt at running a Mini-Moog through a Cry Baby wah-wah pedal. Sound setting was pink noise, with modulation added to the filter about half way through.
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Stretched version of a short recording from my old garden piano about five years ago. Submitted to Sound-In for 21-23/2/2019.
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I'd intended to try some different things with playing my dizi (Chinese bamboo flute) at very low volume with little breath pressure but listening back to the result it sounds like a series of old-style whistling kettles sequentially coming to…
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Recent Favorites
John (February 21, 1911 – September 30, 2055) was an American pretzel salesman. He is remembered as a cultural icon of teenage disillusionment and social estrangement, as expressed in the title of his most celebrated pretzel, "Double Garlic…
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Instant mash for Sound-In featuring James Bailey, Shane Cadman and Roger Sundstrom, mix by Kavin.
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Latest Comments
Combination of a test recording with clarinet, and an irregular beat sequence discovered on my Roland SE-02. The clarinet track was slowed slightly in order to match the time lengths of the two. Submitted to Sound-In for 11-18/3/2021, A Moment…
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Guest
said
эзотерика Андрей Дуйко
Clarinet played into an empty tube that formerly held a bottle of Scotch, which may have had some unconscious influence on the rough melodic form. Picked up by two contact mics into a Zoom H4n recorder. Submitted to Sound-In for 26/2-4/3/2021.
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trawnajim
said
Thanks! Experimental is my main thing. This is about as close as I get to an actual "tune".
Clarinet played into an empty tube that formerly held a bottle of Scotch, which may have had some unconscious influence on the rough melodic form. Picked up by two contact mics into a Zoom H4n recorder. Submitted to Sound-In for 26/2-4/3/2021.
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Planet Sapphire
said
Very cool....I like the experimental feel of it. The Scotch bottle is an awesome technique!!!
First of three pieces made from the same original material; short bursts of sound from a cheap harmonica. Nine of these bursts were selected from the original recording, each of slightly different length. Each was then time-stretched by the same…
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Newbold
said
cool experiment the stretching and time resolution are really important to the final sound the echoes seem separate from other things --- was thinking there should be no null points --- because of the echoes going on-- how does the interactions work?
Straight off the floor - or at least out of the Roland SE-02 on my lap. No editing or processing of any kind. The title is an acronym for Repetition Is A Form Of Change, one of the cards in Oblique Strategies by Brian Eno and Peter Schmidt. Submitted…
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I work strictly in improvisation, on whatever sound-making device finds its way into my hands. Anything tuneful is usually accidental, though I do on rare occasions manage limited success when trying it deliberately. Electronics are a frequent component but there is also a fair amount of strictly acoustic material.
from Toronto (Trawna), CA
Who trawnajim follows
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