344 tracks by trawnajim

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Same source tones as the other 5OD pieces, but this time each has been stretched individually to a similar length, with different envelopes for each. Submitted to Sound-In "Drone" for 13-20/5/2021.
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The original 5OD stretched three times. Submitted to Sound-In "Drone" for 13-20/5/2021.
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5 Ocarina Drones, layered over top of one another. Each individual track was repeated until all were of a similar length. No alterations to the actual sounds. Submitted to Sound-In "Drone" for 13-20/5/2021.
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Unadulterated trombaxophone (tenor sax w/ trombone mouthpiece) recording. Submitted to Sound-In event "Noise" for 6-12/5/2021.
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Playing with white noise on the Roland SE-02, then a few modifications in Audacity. Submitted to Sound-In "Noise" for 6-13/5/2021.
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Wasn't really planned that way, but listening to the completed piece made me think this could be what our little avian buddy on Mars might sound like to the locals. Same set-up as Kowanakita, but sound source is trombone. Also submitted to Sound…
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Voice through EHX Stereo Memory Man and Zoom RFX-300. Slightly different arrangement from usual, with only one output from EHX to Zoom, with the other going directly to the recorder, as well as the stereo pair from the Zoom. Submitted to Sound…
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An imaginary subterranean soundscape created with part of an antique trombone with improvised mouthpiece, run through my favourite EHX Stereo Memory Man / Zoom RFX-300 effects combination. Submitted to the Sound-In event "Earth" for 22-29/4/2021.
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One of those pieces that starts off short and simple, then after going through various modifications ends up like this. Original sounds are from a Roland SE-02 of a randomly varying repeated pattern; the mono sound file was copied exactly and…
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Straight outta Roland. The SE-02 to be precise. The result of a lot of knob-twiddling and switch-flipping. Two separate tracks spread 60%from centre each.
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Reverse trombone, no other effects. After listening to the piece as recorded, I couldn't help wondering what it would sound like if it were reversed; I need wonder no longer. Submitted to Sound-In for 25/3/ - 1/4/2021
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Combination of a test recording with clarinet, and an irregular beat sequence discovered on my Roland SE-02. The clarinet track was slowed slightly in order to match the time lengths of the two. Submitted to Sound-In for 11-18/3/2021, A Moment…
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Combination of my track As the Clouds Roll Away with Struk String Rambul by Coelocanth, both of which were submitted to Sound-In (as was this) for 4-11/3/2021. No alteration was made to either track before or after combining.
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Tenor sax altered to sound like a baritone; original recording was "slowed down" by half in the same way that would happen with a tape. The result is both a lengthening of the sound and a drop in pitch. The tempo was then returned close to its…
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Clarinet played into an empty tube that formerly held a bottle of Scotch, which may have had some unconscious influence on the rough melodic form. Picked up by two contact mics into a Zoom H4n recorder. Submitted to Sound-In for 26/2-4/3/2021.
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Short (8-sec.) recording of flutter-tonguing on a clarinet, stretched 30 times. Submitted to Sound-In for 18-25/2/2021.
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Two different channels of radio interference (hence the title). The AM side (left) also had contributions from a small theremin interfering with the interfering radios. Cleaned things up a bit using noise reduction. Submitted to Sound-In "Blindfold…
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Re-working of an essay of the same title by William Wilson, from "Breaking the Sound Barrier: A Critical Anthology of the New Music." edited by Gregory Battock. This was itself subjected to operational procedures such as: randomization by creating…
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Originally two separate mono tracks of the beginning to Beethoven's 9th symphony (conducted by Felix Weingartner if anyone cares). Each was subjected to different processing effects and then combined. Submitted to Sound-In for 28/1 - 3/2/2021.
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Harmonica 2 with the addition of the first four minutes of Harmonica 1, adding extra depth and variety.
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