Tuned the lyra to a G ionian scale and tried to make something actually harmonic, like, with chords and what not. There's some II-V-I, and IV-V-I there and all. And.. then there's the lyra, doing what it does best.

This is a single mono synth, in one take, doing everything at the same time (plus some external effects, also recorded live). Just an experiment, first jam on the instrument, so it's a bit poor, but promising, IMO. (EDIT: eq-d out the worst…

Tuned the lyra to a G ionian scale and tried to make something actually harmonic, like, with chords and what not. There's some II-V-I, and IV-V-I there and all. And.. then there's the lyra, doing what it does best.

This is a single mono synth, in one take, doing everything at the same time (plus some external effects, also recorded live). Just an experiment, first jam on the instrument, so it's a bit poor, but promising, IMO. (EDIT: eq-d out the worst…

This is a single mono synth, in one take, doing everything at the same time (plus some external effects, also recorded live). Just an experiment, first jam on the instrument, so it's a bit poor, but promising, IMO. (EDIT: eq-d out the worst…

This is a single mono synth, in one take, doing everything at the same time (plus some external effects, also recorded live). Just an experiment, first jam on the instrument, so it's a bit poor, but promising, IMO. (EDIT: eq-d out the worst…

This is a single mono synth, in one take, doing everything at the same time (plus some external effects, also recorded live). Just an experiment, first jam on the instrument, so it's a bit poor, but promising, IMO. (EDIT: eq-d out the worst…

Experiment, on the same tuning as the G scape track. There's no much more interest here except it shows more of what madness lies (very nearby) beneath the lyra's surface

Tuned the lyra to a G ionian scale and tried to make something actually harmonic, like, with chords and what not. There's some II-V-I, and IV-V-I there and all. And.. then there's the lyra, doing what it does best.