A glitchy, noisy, drum & bass remix by Acid42 of an abstract track by artist Fatima Lasay. The original "Severe and Multiply" track (http://korakora.org/node/39) was a one-minute composition created by running an algorithm on a computer…

A traditional Philippines folk song from central Luzon about a funeral wake, turned into joyful electronica.

Gloomy downtempo groove as an homage to the trojan horse email virus of '03. Click "More" to watch the video.

A more thorough remix of a track from my Mutatis Mutandis album of 2004. Done in Reason.

Cut through the boredom with my saw wave and some fine funky futurejazz. Add some melancholic retro chords and suddenly, Air can eat my dusty tears.

With a 909 drum loop reminiscent of Tears for Fears instrumental fillers, this downtempo tune quickly becomes an earful of delay, clarinet, and oozing synths.

Downtempo groove with percussions make this spicy like Senegal? Zingy like Zimbabwe? Nice like Namibia!

Soothing third world chillout with screaming violin, clanging galvanized iron roof shingles, and mutant radio signals being broadcast amidst the squalor. Trust me, you don't want to hear V.1.

A jazzy instrumental that was once titled Union Of The Steak.

Moody downtempo instrumental inspired by a single word randomly looked up in the dictionary. (The Dictionary Challenge on the RPM boards!) In no way related to the recent flurry of teenage vampire/werewolf flicks.

Bouncy funk bass and a fine funk-filled beat equals an electropop tune that borders on '70s kitsch.

Soothing and sad, a synthesized tune for the lovelorn and loveless. And just those with a perennial tear in their eyes.

Old school or futurejazz? Extreme games or simply spazz? Gritty glitches with pretty snatches of melody, harmony, Reason and thyme.

In Manila, waiting in the U.S. embassy line for a tourist visa back in 1999 was a 2-day affair in sun or rain, day or night. This is a 7-min. ode to the torture of waiting for the unobtainable.

Of course, the title also reeks of jealousy because I couldn't create an IDM track even if I tried. So instead, here's a heavy, layered electronica track that reeks of faux glitchery and IDM-ishness.

Welcome to your first lesson in post-apocalyptic ballroom dancing for Martians and Manhunters alike. The track is not really cha-cha, but more like futurejazz, or 1960s mood music done by robots and mutants. 1-2-cha cha cha! First draft in 2006…