Acid42
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A glitchy, noisy, drum & bass remix by Acid42 of an abstract track by artist Fatima Lasay.
The original "Severe and Multiply" track (http://korakora.org/node/39) was a one-minute composition created by running an algorithm on a computer…
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A traditional Philippines folk song from central Luzon about a funeral wake, turned into joyful electronica.
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Gloomy downtempo groove as an homage to the trojan horse email virus of '03. Click "More" to watch the video.
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A more thorough remix of a track from my Mutatis Mutandis album of 2004. Done in Reason.
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Cut through the boredom with my saw wave and some fine funky futurejazz. Add some melancholic retro
chords and suddenly, Air can eat my dusty tears.
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Gloomy downtempo groove as an homage to the trojan horse email virus of '03. Click "More" to watch the video.
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There are a bunch of bass tracks going on here. Headphones help pick out what's going on. This one came to me leaving Taos on the drive back to Phoenix, coming down out of the canyon. I suddenly became conscious of a disturbing dream from the…
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ok, volume is fixed, and the title too. Maybe soon I will mix it better or perhaps just move on to better things. Thanks to those who gave excellent advice on previous version.
and the #2 version has been deleted (actually this is #2).
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Neat trick I stumbled upon inside of ALchemy by Camel Audio. Take an acoustic guitar track and turn the sample/s into percussion tracks. Check it out. Used Alchemy, Camel Space, Gross Beat and Fruity Convolver inside Fruity Loops. Make sure you…
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part of free loops I'm going to upload here for all you to download if you like. Mostly conga and other soundfonts used with my korg padKONTROL and then edited in fruity loops.
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A more thorough remix of a track from my Mutatis Mutandis album of 2004. Done in Reason.
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Soothing and sad, a synthesized tune for the lovelorn and loveless. And just those with a perennial tear in their eyes.
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Cut through the boredom with my saw wave and some fine funky futurejazz. Add some melancholic retro
chords and suddenly, Air can eat my dusty tears.
Uploaded
Welcome to your first lesson in post-apocalyptic ballroom dancing for Martians and Manhunters alike. The track is not really cha-cha, but more like futurejazz, or 1960s mood music done by robots and mutants. 1-2-cha cha cha!
First draft in 2006…
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Downtempo groove with percussions make this spicy like Senegal? Zingy like Zimbabwe? Nice like Namibia!
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NOT FINISHED. another draft. just putting it up here so that i kick myself in the pants to flesh it out and write verses and whatnot and redo everything. great!
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I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
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Latest Comments
Soothing third world chillout with screaming violin, clanging galvanized iron roof shingles, and mutant radio signals being broadcast amidst the squalor.
Trust me, you don't want to hear V.1.
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A more thorough remix of a track from my Mutatis Mutandis album of 2004. Done in Reason.
Uploaded
Cut through the boredom with my saw wave and some fine funky futurejazz. Add some melancholic retro
chords and suddenly, Air can eat my dusty tears.
Uploaded
Guest
said
Clever title! JR
A more thorough remix of a track from my Mutatis Mutandis album of 2004. Done in Reason.
Uploaded
Guest
said
Damn, you've got interesting sounds and unique song titles too. JRR
Soothing third world chillout with screaming violin, clanging galvanized iron roof shingles, and mutant radio signals being broadcast amidst the squalor.
Trust me, you don't want to hear V.1.
Uploaded
Guest
said
Cool!
Lionel Valdellon (Acid42) is a one-man electronic musician based in Northern California, fusing Southeast Asian influences with Western beats and structures to create what he likes to call ethnotronica. He also manages the QED Records netlabel (http://qed.valdellon.com).
from Hayward, CA, United States
Who Acid42 follows
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