Kick Ass man!

Great track mate very cool.

Much appreciated

What a huge arrangement. Nice job.

Thanks

FN Slammin' man. Excellent guitar work as usual.

Heavy stuff man! Like it!

Thanks for the feedback :-) as you can tell I'm still learning this digital recording lark :-) will have a look at this Much appreciated Adam

Musically this is freaking awesome, but personally, I'd tone down the compression a little bit.

Thanks ;-)

Awesome!

Possibly - I shall have to look ;-)

I think this is D Dorian or D minor no? Cool guitar either way :) ~Geas

From the root D, as the picked notes are D, F, G and B.... Sometimes interesting stuff occurs when you just plug in some numbers. For example, I sometimes play around with what I call the Rush Scale where the scale goes Tone - Semi - Semi - Tone - Semi - Semi - Tone So you get from C C - D - D# - E - F# - G - Ab - Bb Why Rush - well (Tone - semi - semi - tone = 2112) ;-)

that's damned interesting...thinking about riffs mathematically. Makes sense. As for the last part. I'm a bit rusty in that department lately too. root, minor third, fourth, and sixth for what? and what do u mean ON DFGB?

Well for a start I cocked up in the description ;-) the clean part is basically 0 5 3 0 0 0 Picked on the A,D,G,B strings. Simple motif, and one thats been bugging me for a while. So its basically on D,F,G,B.... I sometimes tend to think mathematically about riffs and occasionally something unusual comes out of it... Whats that root,minor third, fourth, sixth? My theory knowledge isn't awesome, I'm ashamed to say ;-)

pretty tight song. What do u mean about the guitar riff?

Yeah, I was in an odd mood. I'm trying to back to the 'less is more' mentality but its hard going...!

That is weird, but in a good way! Nice stuff man!

Thanks!!

Much appreciated

Thanks

Thanks for the feedback :-) as you can tell I'm still learning this digital recording lark :-) will have a look at this Much appreciated Adam

Thanks ;-)

Possibly - I shall have to look ;-)

From the root D, as the picked notes are D, F, G and B.... Sometimes interesting stuff occurs when you just plug in some numbers. For example, I sometimes play around with what I call the Rush Scale where the scale goes Tone - Semi - Semi - Tone - Semi - Semi - Tone So you get from C C - D - D# - E - F# - G - Ab - Bb Why Rush - well (Tone - semi - semi - tone = 2112) ;-)

Well for a start I cocked up in the description ;-) the clean part is basically 0 5 3 0 0 0 Picked on the A,D,G,B strings. Simple motif, and one thats been bugging me for a while. So its basically on D,F,G,B.... I sometimes tend to think mathematically about riffs and occasionally something unusual comes out of it... Whats that root,minor third, fourth, sixth? My theory knowledge isn't awesome, I'm ashamed to say ;-)

Yeah, I was in an odd mood. I'm trying to back to the 'less is more' mentality but its hard going...!

Thanks!!

Thanks ;-) Much appreciated

Thanks guys.....!

Thanks man!

Thank you SMW for your comments - much appreciated!

Many thanks for the kind words...

Thank you very much... much appreciated

Thanks - I was bored with a capo in hand and well, you know the rest ;-)

Thanks! much appreciated

Thats the plan - once I restring the twelve string. I cheated here and doubled it over the octaves ;-) Plus I've hurt a finger at the nail and the twelve string will murder my hands right now ;-)

Thanks - thats the feel I was haunting for - its only a rough demo ;-)

I was quite frustrated ;-)