Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track. I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…

Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track. I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…

If "Jenny Blue" is the closer, and "Shrinking Violet" is the outro, then this is the postlude to the outro. The only track I played in real-time on from beginning to end. (No idea how I managed to pull that off..)

"Jenny Blue" was originally supposed to be the album closer, but this track seemed like a nice outro. (Definitely Tangerine Dream worship on my part.)

This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound). That is me playing the harmonica, though. (No, really!) If the song makes…

The most challenging track to record during the RPM Challenge this year. I like how a lot of it turned out, but there were so many clashing pieces, that I was pulling my hair out trying to assemble it.

The last track from my RPM Challenge album, "The Loudest Silence". The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…

Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired. If you don't like the current melody, wait five seconds. Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…

This was one of the unnamed tracks that I recorded, forgot about, and rediscovered later in the month. It's basically about working the night shift on an office job. (You see really weird things at night when an office building is empty and quiet…

A short acoustic improv in DGDGBD capo (III) across strings 2-6.