I came up with the main bass riff on my electric bass, but after recording it I was unhappy with the tone, so I used a sampled upright bass. On top of that is a layer of doodling "lead guitar" (played on my bass), a dreamy semi-harsh organ sound…

I mostly wanted to make music with a funky clav line I'd come up with, so this is it. For the voiceover, I unabashedly used an awesome monologue by Ken Nordine.

Just a basic dance track because its just fun to bounce around sometimes. Also another excuse to use a growly bass sound... a "60 Hz Hum Bass" soundfont I had clearly neglected for too long.

I imagine this music playing in a bar sometime in the future, probably in the background while cybernetic bar patrons interface with one another in full view of the world's sensor network.

Worked on this track for a *long* time. Learnt a lot but it's time to call it done and move on to something else. Am pretty happy with it all in all. Sounds include samples of me clapping and the Snowdon steam train heavily processed with Ableton…

Worked on this track for a *long* time. Learnt a lot but it's time to call it done and move on to something else. Am pretty happy with it all in all. Sounds include samples of me clapping and the Snowdon steam train heavily processed with Ableton…

Recorded: Feb 27, 2009 Details: Epiphone Les Paul (DADGAD - capo III ), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.

Recorded: Feb 26, 2009 Details: Epiphone Les Paul (DADGAD - capo II ), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.

Recorded: Feb 22, 2009 Details: Epiphone Les Paul (EADGBE), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.

Recorded Feb 21, 2009 Details: Epiphone Les Paul (DADGAD - capo V), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, Jim Dunlop .73mm USA Nylon pick, EBow, Audacity, Sound Forge. Amal (Hope)