christopher t nickey's listening history
The closing track of Dearly Departed. I will come back, but I don't know where or when. Open, ethereal, a departure in terms of tone, and for me.
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Wanted to make this one drive. It's meant to be listened to as loud as possible.
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I am Ironman.
With this one, I purposely kept it stripped down. I could have lavished it up, but I wanted the tone to match the stark clarity of realization. Sometimes this one sounds thin to me, but stark clarity sometimes has the same: "That…
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This is a track of serendipity (is that how you spell that?) I was hours from deadline, lots of mixing left to do, and this track was FAR from done. I love the congas in this one. In general, this is a fun one for me. For once I actually don't…
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So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…
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One of the songfight inspired titles for RPM 2007. This was also picked out of a hat. This one is the mother of all semitone slide bass/root note chord smashers. It's everywhere. The lyrics are some of my favorite, though most people have no idea…
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Also recorded when I was very, very sick...I needed to get RPM 2006 kicking into gear, regardless of the state of my voice.
This song was written and recorded on the spot. What you are hearing is what I made up as I went with the record button…
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Nothing like a good gtr riff to inspire a song. This one is backwards in a way. The first verse has a lot of layers, the second one is much cleaner...
I had fun doing the backing vox on this one, it was the first day I really had my voice back…
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Turn this one up REALLY FREAKING LOUD!
Written, recorded and polished off in about 45 minutes or so. Clearly my British influence shines forth in this one, right down to the SG through a Vox amp tones and backward riffs here and there. (and…
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Well, this is why I don't play drums. It's the best Moon I could pull off. I keep hammering the gtr riff over and over, but it's because it was so much fun to play. Its structure is a little too meandering in hindsight, but oh well. For whatever…
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