added a bass. added the chorus, which i'll probably redo. added a bit of an ending. oh, and a smattering of pianer.

David DeSoto is on the upright bass fiddle.

After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned. Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.

A chillaxed and noodling instrumental with just my acoustic guitar and a tad bit o bass.

After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned. Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.

After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned. Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.

Answers. Answers come to mind. Good words aren't hard to find. So get up, stand up, come on Make up your mind. Get up, stand up. Get in line. Answers. Answers aren't hard to find. Good words, yeah they come to mind. So get…

My opus. By far the longest song I've ever recorded. I tried to make it shorter, but it just didn't work. Sorry. :) "The Water-Carver" uses a sample from Stereolab's "Changer." (Gane/Sadier)

My opus. By far the longest song I've ever recorded. I tried to make it shorter, but it just didn't work. Sorry. :) "The Water-Carver" uses a sample from Stereolab's "Changer." (Gane/Sadier)

My opus. By far the longest song I've ever recorded. I tried to make it shorter, but it just didn't work. Sorry. :) "The Water-Carver" uses a sample from Stereolab's "Changer." (Gane/Sadier)