I fall apart.

Glu guides you through an instructional song, revealing secrets along the way. Instrumentation: Director's comments included! beat boxing, real swords, acoustic guitar, synthesizer, vocals, drum programming, tabla, and tambourine. My apologies…

just over three minutes of circular breathing (breathing in and out simultaneously) on the didgeridoo, a single take.

Because everything is always more magnificent underwater

Episode One: Sandbags allowed me to use his mad rhythms- see here for an explanation: http://alonetone.com/sandbags/tracks/my-name-is-harry-palmer Sudara lent me some samples of him playing chords from his new autoharp, an ebow against piano…

The psyche is a weird place, I'll just talk about it musically. The piece begins with the sounds of Sudara's autoharp, the weeping woodwind sounds of the clarinetist from Megafauna Lacrymosa , and a low kick-like percussive sound, which is…

yeah, unfinished.

guitars, synths, tabla, tambourine, and elephants (the lead melody at around 01:40)

This song was made by two different piano samples (both from Sudara): 1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico. 2. today, I convinced Sudara to noodle on the piano and send it over to me…

The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…