In honor of my first year as a resident of Baltimore, here is my first track in the style of Baltimore Club (local dance music genre, around for the past 15 years, but little known outside the 410 area code). The vocal, "hey Mobtown" is one of…

This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…

A beat I created for "Die Faxmachine", a collaboration with composers Du Yun and Ken Ueno, who faxed in (to a live performance) a composition for flute, clarinet, alto saxophone, and electronics, interpreted on the spot by Mobtown Modern on 9…

For the upcoming Mobtown Modern show "Low Art" next Wednesday, Brian Sacawa will perform (among other pieces in the jumbo saxophone repertoire) "Maknongan" by Giacinto Scelsi (performed on bari sax). For the event, Brian asked me to create a remix…

A skipping CD of children's music, an old accordion with sticky keys, some subterranean drums and synth bass, a departing train. Hoping to achieve some kind of glitchy transcendence through the broken fragments.

An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it. This is the end-result of that fine-tuning. The track deals with how there are usually no easy outs…

a fragile little piece. Instrumentation: broken harp, kitchen sink, electric piano, drum programming, vocals, and loads of wine.

A track created for a character called Rainy, on the North walk (entitled "Life Is Monumental") of "Charm City Remix", a site-specific narrative by Kianga Ford.

From Alex B's Beat Tape Volume 1 www.alexbeats.com www.1320records.com www.myspace.com/pnuma