You'd like it if I could Write some clever words for you You'd like it if we could Close our eyes and feel brand new You fall over You fall out Stand beside me now - scream and shout You liked it when I'd say That silver comes from the ghosts…

I don't know the right words To make a love song for you I won't live enough days To wait another one for you I don't know any way To make it clearer to you All the things I don't say When I don't know what to do I'll carry this cross To where…

Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…

So I find this riff on a older cassette of me noodling around. I liked the riff, and decided to do a song with it, semi-dronish, which really means literally no changes, just the riff with some overdubs for color. It was also an exercise is subtle…

So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…

Yes, I am dark sometimes. Aren't we all? Don't listen to closely, just turn this one up and lose yourself in the tones.

Nothing like the sound of a strat through that classic "brown" sound. Gritty, driving, crunchy, lovely tones...This is my welcome back, did you miss me, RPM 2008 opening track.

This song is done in a dropped F tuning. I won't bore you with the tuning itself, but the same tuning makes an appearance in Consequence, Painted Tense, 70 and others. My favorite part of the song is the verse after the solo. For some reason I…

This song came from a song-fight inspired theme for RPM 2007. The title was one of three picked from a hat by RPM HQ for people to try to write a song for. This one came to me in my kitchen in mid February. I was absent-mindedly singing the phrase…

Well, what can I say here? I knew I wanted to do this one with a pseudo dark, smoky old jazz club feel. I kind of pulled it off, but not completely. The song itself was a happy accident riff. I picked up my acoustic, threw a capo on for fun and…