This song is done in a dropped F tuning. I won't bore you with the tuning itself, but the same tuning makes an appearance in Consequence, Painted Tense, 70 and others. My favorite part of the song is the verse after the solo. For some reason I…

One of the songfight inspired titles for RPM 2007. This was also picked out of a hat. This one is the mother of all semitone slide bass/root note chord smashers. It's everywhere. The lyrics are some of my favorite, though most people have no idea…

This song was me seeing where I could go with some various chord changes and voicing. I was going for a rainy day in summer in the English countryside circa '72 feel for it. I kind of got it down, at least, my memories of it, which are foggy now…

Backwards acoustic! In synch with the beat! How did he do that? I was messing with the acoustic and it was sounding too '67 for me, so I decided to throw a hip-hop beat on it. I kind of like the holes in it, as well as the harmonies. It doesn…

The horn line came first, I started humming it in the garage one very cold morning in Feb. I was stuck for a title, until a friend used Kismet in a sentence. It's a fun bouncy number, though the mix is kind of bad.

Another of the three songfight inspired titles. Painted Tense (the title) actually came from a band name generator website. I thought it might make a good song title so I submitted it to the RPM HQ person doing the name-from-a-hat picking. I would…

I was lost for a chorus, and a title. Then...Bruce.

This was supposed to be a lot heavier and darker, but it sounded totally cheesy. I lightened it up, added piano and did about 11 different versions of the vocals for this, each one with completely different lyrics and melodies. The end part was…

The gtr came first, then the vox, then the bass. Bass players tend to really like this song.