By Lennard Cohen. Second vocal is Martijn van Dijk. Recorded at Richard Beukelaar, 2006

This was the Second song I wrote for the film Thanks a Latte, and is my favorite one that I've written for it so far. I love the cheesy electronic feel, and the random chord tones.

This was written by Imogen Heap, but I arranged it, and changed it around a little. This is meant to be performed a cappela, and has between 5 and 9 voice parts depending on the section of the song. This is one of my favorite songs, and I was…

This was the third song I wrote for my friend Matt's movie he's making, and it was inpsired by the song "one" by Crystal Kay. This was really far from my style, so it was a challenge to write.

This was my final in Music Theory class. I liked it a lot.

This montage is about making music and what it means to people. It uses comments from a number of classical musicians interviewed for a radio series I record and produce called "The Main Street Sessions". The music is from "The Gospel of Thomas…

Palimpsest: A Composition of Maps (an isentropic semaphore on the Name of Asmira Woodward-Page) is part of an ongoing series of soggetto cavato pieces the I have written, in this case on the name and at the commission of violinist Asmira Woodward…

bass is sampled from first second of Richard Marx's "Hold On to the Nights," which i'm extremely proud of.

This song was written after moving into a new apartment. One of the movers put a coin in the door hinge to keep the door open so that he wouldn't have to bother me for keys. I thought it was so cool and smart and sleek and simple. I wanted him…

This song was written after moving into a new apartment. One of the movers put a coin in the door hinge to keep the door open so that he wouldn't have to bother me for keys. I thought it was so cool and smart and sleek and simple. I wanted him…