I mostly wanted to make music with a funky clav line I'd come up with, so this is it. For the voiceover, I unabashedly used an awesome monologue by Ken Nordine.

I mostly wanted to make music with a funky clav line I'd come up with, so this is it. For the voiceover, I unabashedly used an awesome monologue by Ken Nordine.

I imagine this music playing in a bar sometime in the future, probably in the background while cybernetic bar patrons interface with one another in full view of the world's sensor network.

I imagine this music playing in a bar sometime in the future, probably in the background while cybernetic bar patrons interface with one another in full view of the world's sensor network.

The turning point for my RPM Challenge recordings this year - I'd planned out a bunch of songs to record with just vocals and an acoustic. After several of these sketches presented themselves to my brain, I threw the old plan out.

The turning point for my RPM Challenge recordings this year - I'd planned out a bunch of songs to record with just vocals and an acoustic. After several of these sketches presented themselves to my brain, I threw the old plan out.

Written, more or less, after sitting in a car for four hours, after attending Laurie's Last.

Written, more or less, after sitting in a car for four hours, after attending Laurie's Last.