This started as a test for a removable piezo pickup I got for my baritone ukulele. I was using my current Pure Data looping and oscillator patch and continued layering 6 loops off my first test and got into the groove. I added in two oscillators…

This started as a test for a removable piezo pickup I got for my baritone ukulele. I was using my current Pure Data looping and oscillator patch and continued layering 6 loops off my first test and got into the groove. I added in two oscillators…

its way too long I tell you. chop it.

This started as a test for a removable piezo pickup I got for my baritone ukulele. I was using my current Pure Data looping and oscillator patch and continued layering 6 loops off my first test and got into the groove. I added in two oscillators…

This started as a test for a removable piezo pickup I got for my baritone ukulele. I was using my current Pure Data looping and oscillator patch and continued layering 6 loops off my first test and got into the groove. I added in two oscillators…

using 500, 530, 560 and 590 hz sines played in taps with a widget panel in csound. processed in audacity with much PaulStretch.

I'm continuing to work with computer generated tone waves, recently using csound, a programming environment in the c language. I generally generate a file and post manipulate in a DAW as was the case here.

more experiments with composing with sine tones in c Sound. using 480 and 460 cycle tones and voice. As I say in the title this is a matra for my head for an upcoming biking event in Tucson.

Another one in my computer generated compositions using 100, 140, 180, 200, 240, 260, 280 and 300 hz sine tones chosen at random, later pieced together in Audacity and looped.

This is my first of a composition using the sound programming environment Csound. This piece was based on four sine tones 500, 480, 460 and 510 hz. I scored trial error in Csound and mapped the score which is done by numbers until nearly each…