Controlling an 80's Yamaha FB01 synth with a violin through a Sonuus G2M converter. 3 tracks.

I improvised this piece a few days ago utilizing electric violin midi'd to a Yamaha FM module, looping in Loopy HD/iOS. A new friend I know from my biking adventures, Henry Reid Carter, responded to it and did a remix embellishing with processing…

for the patch schmooh

using 500, 530, 560 and 590 hz sines played in taps with a widget panel in csound. processed in audacity with much PaulStretch.

I'm continuing to work with computer generated tone waves, recently using csound, a programming environment in the c language. I generally generate a file and post manipulate in a DAW as was the case here.

more experiments with composing with sine tones in c Sound. using 480 and 460 cycle tones and voice. As I say in the title this is a matra for my head for an upcoming biking event in Tucson.

Another one in my computer generated compositions using 100, 140, 180, 200, 240, 260, 280 and 300 hz sine tones chosen at random, later pieced together in Audacity and looped.

This is my first of a composition using the sound programming environment Csound. This piece was based on four sine tones 500, 480, 460 and 510 hz. I scored trial error in Csound and mapped the score which is done by numbers until nearly each…

Another computer generated composition largely created using Csound, an audio programming environment built in the c language by Barry Vercoe in the mid-80's at MIT. I've recently been experimenting with it creating synthesis sounds. This piece…

a 3rd from the post bike accident series