I'm continuing to work with computer generated tone waves, recently using csound, a programming environment in the c language. I generally generate a file and post manipulate in a DAW as was the case here.

more experiments with composing with sine tones in c Sound. using 480 and 460 cycle tones and voice. As I say in the title this is a matra for my head for an upcoming biking event in Tucson.

Another one in my computer generated compositions using 100, 140, 180, 200, 240, 260, 280 and 300 hz sine tones chosen at random, later pieced together in Audacity and looped.

This is my first of a composition using the sound programming environment Csound. This piece was based on four sine tones 500, 480, 460 and 510 hz. I scored trial error in Csound and mapped the score which is done by numbers until nearly each…

Another computer generated composition largely created using Csound, an audio programming environment built in the c language by Barry Vercoe in the mid-80's at MIT. I've recently been experimenting with it creating synthesis sounds. This piece…

a 3rd from the post bike accident series

another room improv, AACEAE

one of a few improvs from the other night following a bike accident. these are all acoustic, no delay, just room recording, in tuning low to high AACEAE.

another solo improv with delay. This will either be a 7th piece or a piece for response by Kavin. I particularly found lyricism in a line that I wanted to run with in this. It's nice to play guitar again.

Number 6 in my delay series project... and now it's your turn.