For our Sound-In Beatles event of all things. The idea to use some influence, memory, moment in a piece. This is with The End in mind.

created with violin, midi and pure data

Pure Data oscillators controlled through a lap steel with a midi interface.

Created with Pure Data oscillators built with pitches C-F-G from octave 0 to 6. For the Terry Riley In C Sound-In event.

Violin played live into my Pure Data Looper. For our Sound-In event this weekend with an optional theme of Terry Riley's In C in mind.

Working with a new Pure Data sequencer patch and sequencing in general which is new to me. Our Sound-In event this weekend is optional theme around Terry Riley's In C. This is as title said kind of I hope a 'dubish' beat.

An online live collaboration by Jim Goodin and Ray Istorico via Ninjam on Nov 23rd, 2018. This is the unedited complete just exported with some reverb.

Live by Ninjam, Ray Istorico and myself over the intertubes in free jam. 2 session files layered together for the final mix.

Created in Pure Data and mixed live. One sample and several oscillators and noise objects.

A piece created by west coast composer Paul H. Muller fusing traditional composition with computer randomization. I remixed with Pure Data oscillations and noise filters played live as the track played.

electronic piece created in Pure Data

Lap steel in a new Pure Data looper project, in celebration of the day.

4 clarinets manipulated in a Pure Data patch, another version.

4 clarinets looped and manipulated in Pure Data.

Lap steel guitar and interactive Pure Data oscillations.

Processed lap steel guitar, loops and interactive Pure Data.

Oscillations created in Pure Data. Thinking about southern California and tears for a nation.

4 Pure Data oscillators and processed lap steel. Broken as in land for our times.

remix of some NinJam pieces with electronic musician and friend Ray Istorico.

Remixing 4 random lap steel outtakes from Reaper DAW recorded last spring. Using patch created in Pure Data.