Len Sasso's listening history

So?ing Machine's avatar
Sometimes you just need to get wacky and beat everything into the master limiter as hard as possible. right Title calls back to Romanticize the Bitter from last FAWM, since it ended up with a similar arc, and it was just romancy day, and I…
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So?ing Machine's avatar
Second FAWM/RPM sound mess. At few turns did this thing want to be quick, or easy, or in tune with my original vision. I temporarily hate it and need it to be away from me.
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So?ing Machine's avatar
First sound mess for February Album Writing Month / The RPM Challenge 2019. https://fawm.org/fawmers/saltbearer/
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So?ing Machine's avatar
I AM HIGH ON THIS RETRO SAW TIMBRE I DON'T CARE WHAT ELSE I CAN DO OR THAT I ONLY GOT ONE VIABLE VOICE CLIP FROM SOMEONE ELSE (I asked like a dozen Discord servers if anyone would make mouth sounds vaguely in tune with 15 seconds of the melody…
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So?ing Machine's avatar
... because it feels like being out on a cold overcast day and smelling delicious food but you walk past a house that belonged to someone you used to know whose house would always have distinct aromas of their favorite dinners but they aren't…
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trawnajim's avatar
Tenor sax fed into and modulated by Mini-Moog. Recorded for Sound-In, 17-19/1/2019
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trawnajim's avatar
Another GarageBand recording for Soind-In, 3-5/1/2019. Title is a parody of Giles Farnaby's Dream by Penguin Cafe Orchestra, and was done since it was recorded while watching Midsomer Murders.
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trawnajim's avatar
My first attempt at recording something using GarageBand. Sound is that of a tonewheel organ, apparently, and was played using an M-Audio Oxygen8. Submitted to Sound-In for 3-5/1/2019
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So?ing Machine's avatar
For https://pinkamenaparty.bandcamp.com/album/its-2019-bpm The album’s gimmick: Everything is twenty point nineteen BPM. There’s some great stuff on it, including tracks by friends! Check out last year’s 2018 BPM album as well! Album proceeds…
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skiks/bruce hamilton's avatar
just a quick thing for Sound-In, perhaps a study for a bigger piece.
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